November 2001
HARRY POTTER AND THE SCREENS OF POWER : |
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An editorial By Scott D. Southard
HARRY POTTER AND THE SCREENS OF POWER
Harry Potter and the Sorcerer’s Stone grossed $93.5 million in its opening weekend and appeared on 8,200 screens.
8,200 screens!
No, seriously, sit down and try to contemplate how many screens that is. Take like your favorite movieplex with it’s typical ten or so screens and times it by 820. Granted, this math may not work for everyone (I’ve never been very good at math), but even to the typical movie-going layman it’s mind-boggling. Ok, ok, “Harry Potter” opening on that many screens is all based on a strong desire of greed. Let’s not kid ourselves, that is the fact beyond it. But between you and me, I don’t care. Why? Because I want “Harry Potter” to kick “Titanic’s” sorry ass! Yes, “Titanic” - that weak romantic film with an even weaker
Even though I may sound cynical (Like a typical writer for Entertainment Weekly), I do truly wish “Harry Potter” and the Sorcerer’s Stone all the success and attention for three very important reasons.
No matter what any critic may say, the world needs this film right now and I truly don’t laugh at it being on this many screens. We need “Harry Potter.” Especially the children. After the horror of September 11th, we need this form of pure escapism. And it’s hard, when walking out of the theater, not to look at life a little brighter and feel that truly there is still magic in living. |
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