May 2003
Bruce Almighty : An Interview with Jim Carrey
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Interviewed by Wilson Morales
Bruce
Almighty: An Interview with Jim CarreyJim Carrey is one of those few actors who hasn’t really had a
bad streak when it comes to films. He and his handlers are smart
enough to balance the types of films he makes so that a hit is
ensured. After “Cable Guy”, he followed that with “Liar Liar”, and
“Man on the Moon”, he did “Me, Myself and Irene”. For an actor who
makes about $20M per picture, his films usually make the grade. At
a recent press conference, Jim Carrey spoke about working on his
latest movie “Bruce Almighty” and his feeling towards God. WM: Do you spend a lot of time challenging yourself? JC: I think it’s important never to look a gift horse in the mouth and never to overlook your talents, what you’re good at and so I really say it sounds like a great creative challenge to me. It doesn’t matter whether it’s dramatic or comedic. WM: What’s the message you think this film is bringing? JC: We all kind of like to face how we define ourselves. I don’t have that many limits on myself. Maybe other people will try to limit me but I don’t limit myself. I think this movie is more about somebody being grateful for what they have; sitting in front of a banquet table and saying ‘there’s no grapes, I can’t eat that without the grapes.’ I think it’s about appreciating what you have as well as exploring. My interpretation to the secret to life is don’t do anything or try not to do anything that makes you feel like you deserve to lose in life. And be grateful for what you have.And protect what you’ve got that’s beautiful too. If you’ve got a talent, protect it. WM: What are your feelings about God? JC: We always try to humanize him in some way. He’s probably
just a shaft of life in a doorway. I think we’ve always tried to personalize
him. I wanted God in this thing to be the guy who is absolutely dignified
and has this austere quality and no nonsenseness to him but at the same
time has a sense of humor because God made our sense of humor. We don’t
get a lot of is God kind of messin’ with your head. All of us get to a
certain point where we’re screaming at God in our own way saying, ‘why
are you doing this to me?’ Everything in my life has happened for a good reason. When I’m
on the beam man the blessings just come one after another like
rain. It’s unbelievable when I’m in the right place. I’ve gone
multi-denominational and I’ve studied a lot of different things.
Basically I don’t know what God is but I know he’s at least an
energy that rules all, that walks the earth and I really think
there are laws. Maybe they’re within ourselves, but I call that God
too. I’d love to be Jesus for a day, just to see what that was
like. That’d be cool man. WM: How would you assess your career at this point? JC: My career has been a weird kind of low flying under the
radar kind of place. I never made it on Saturday Night Live and all my
friends did. I was at the Comedy Store getting standing ovations but I
couldn’t find my picture anywhere. This is how it’s always been for me.
I’ve had incredible blessings, unbelievable fortitude and at the same
time there’s always a balancing factor to my life and generally what it
is, you pick up the book on comedians and I’m not in it. That’s OK. I
think once that happens you’re completely defined and it’s all over. Then
you’re just doing the same thing, people have figured you out and put
you on the shelf that suits you. If I stay kind of obscure that’d be alright.
You do the best work you can. I’ve always concentrated on the work and
I don’t know what happens all around that stuff like who gets the picture
on the wall, who puts you on the shelf that suits you. If I stay kind
of obscure that’d be alright. You do the best work you can. I’ve been
in this wonderful place. I’m not saying it’s a bad place to be under the
radar. It’s a wonderful place actually not to be the person that everybody
plays out until they get tired of them and don’t want ‘em anymore. I like
to be something that you just like all the time. Whenever it comes out
it’s kind of special. In ‘Living Color’ I was fortunate enough to have
a vehicle where I didn’t play a character that was one thing all the time
so that I became that character. At the Comedy Store I started to get
known doing impressions and stopped doing that because I saw where it
was leading and so because I did that I was able to excel to another level
without being known as the comic impressionist. In Toronto that’s what
I was when I started out I was gonna be the next Rich Little. I like the
pocket I’m in; it’s a good place. It’s a place that feels like it’s not
tired. WM: How was working with Jennifer Aniston? JC: She’s very solid and very centered. You look at all magazines you see
her in and you just think it’s amazing. Before you know her you wonder
why are people so interested in this person. They just never seem to get
enough of her and then you meet her and you go there’s a reason. She’s
just a very cool centered person. Sometimes when you meet people like
that you’re disappointed at the reality of them. The idea is always better.
Sometimes they’re playing an idea and she’s just being herself. WM: Any truth to the rumor that you’re a control freak? JC: I get upset about control about the littlest things; huge things
I let go of control. My career it’s like whatever, whenever, if it comes
it comes, if it doesn’t it doesn’t. I don’t sweat it. It’s the little
things like the cap on the toothpaste. If that doesn’t go my way, man
look out! That’s where my angst comes out. The little stupid things like
the stereo’s not working. The huge life things I’m completely cool about.
JC: First of all I’d send anybody who didn’t like ‘The Majestic’
to the fiery pit of hell. Then I’d start a new Utopian society made of
people made out of nerf material so I could cave the critics’ heads in
and they would pop right out again. No one would be hurt and I’d get my
rocks off. That is of course if there was anybody left to start a new
society. WM: What stories inspire you? I love stories about teachers. I just can’t get enough of those kinds
of stories. I love that idea of an adult influence on kids. I had a great
teacher and she never really gets credit. In the seventh grade who taught
us Beatle lyrics and today’s lesson is ‘Eleanor Rigby’ and whatever it
means and breaking it down with all the double meanings that were possible.
She also kind of harnessed my delinquency into a show at the end of each
day. She said if I was good and didn’t bother the other students when
I finished my work I would be able to do fifteen minutes at the end of
the day. I would write material and think about how I would skew the teachers.
She confiscated a couple of caricatures I did at the back of the classroom
of her and she sent them back to me years later when I was known. If I
could teach it would be have to be art. WM: What’s this story about you being a hero on the set? JC: It was a windy day and the trees blew over on the back lot at Universal. I did turn and go, ‘hey look out!’ I was right on that. Somehow that turned into I saved everyone’s life on the set. I’ve saved so many and yet that’s what gets printed. WM: Do you recall your communication with God? JC: My faith came from a substitute teacher who came to my
classroom in Catholic school in grade two for a day. She was an Irish
gal who prayed to the Virgin Mary whenever she wanted anything in her
life to happen, if she wanted something material she’d pray to the Virgin
Mary to ask God to give it to her and WM: Is there anything that didn’t make the cut that will be on the DVD? JC: There is a shot that we did of me falling out of this airplane, doing a free fall. I’m falling and we had this special effect with a pipe that shot air at a fierce rate into my mouth. My mouth looks like you can see my whole skeleton while I’m speaking. It’s really frightening and when they said cut and all the stuff went off and the fans shut down I couldn’t see anybody because they were on the floor below the equipment just losing their minds. But it didn’t fit in the movie so it’s gotta go on the DVD. In ‘Ace Ventura’ one guy came after me in a bar and I take out a contac lens and swipe him, ‘you wanna play with glass huh?’ I fight him with my contact lens. WM: Have you seen the sequel to Dumb & Dumber, Dumb & Dumberer? JC: I’ve never seen it; I have no idea what it’s like. I wish ‘em luck with it. I have a lot of people coming up to me thinking I’m in it. I guess they had a little sin of omission there. They did a lot of campaigning without saying who was in it or whatever so I don’t know if they kind of misled people in that way. |
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