1.0blackfilm.comhttps://www.blackfilm.com/readGuest Writerhttps://www.blackfilm.com/read/author/wilsonmorales/Carrierich600338<blockquote class="wp-embedded-content" data-secret="qXOE9Xvy1i"><a href="https://www.blackfilm.com/read/carrie-film-review/">Carrie</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.blackfilm.com/read/carrie-film-review/embed/#?secret=qXOE9Xvy1i" width="600" height="338" title="“Carrie” — blackfilm.com" data-secret="qXOE9Xvy1i" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://www.blackfilm.com/read/wp-includes/js/wp-embed.min.js
/* ]]> */
</script>
CarrieBy Wilson Morales In some ways, Hollywood’s fascination with remaking horror films makes the predecessor looks better year and year, since the reboot almost never lives up to up expectations. While some end up doing well at the box office, they don’t or won’t carry the same cult classic status. Stephen King’s “Carrie,” which became […] Morehttps://www.blackfilm.com/read/wp-content/uploads/2013/10/Carrie-poster-201x300.jpg