{"version":"1.0","provider_name":"blackfilm.com","provider_url":"https:\/\/www.blackfilm.com\/read","author_name":"Guest Writer","author_url":"https:\/\/www.blackfilm.com\/read\/author\/wilsonmorales\/","title":"David Oyelowo talks Jack Reacher, his Indie Spirit nod, and Nina Simone film","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"aBwIPv6267\"><a href=\"https:\/\/www.blackfilm.com\/read\/david-oyelowo-talks-jack-reacher\/\">David Oyelowo talks Jack Reacher, his Indie Spirit nod, and Nina Simone film<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.blackfilm.com\/read\/david-oyelowo-talks-jack-reacher\/embed\/#?secret=aBwIPv6267\" width=\"600\" height=\"338\" title=\"&#8220;David Oyelowo talks Jack Reacher, his Indie Spirit nod, and Nina Simone film&#8221; &#8212; blackfilm.com\" data-secret=\"aBwIPv6267\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.blackfilm.com\/read\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/David-Oyelowo-4a-4.jpg","thumbnail_width":580,"thumbnail_height":378,"description":"David Oyelowo talks Jack Reacher, his Indie Spirit nod, and Nina Simone filmBy Wilson Morales December 18, 2012 If there was any one person whose name and face was in theaters throughout the entire, it was David Oyelowo. From \u2018Red Tails,\u2019 \u201996 Minutes,\u2019 Lee Daniels\u2019 \u2018The Paperboy,\u2019 Ava DuVernay\u2019s \u2018Middle of Nowhere,\u2019 Steven Spielberg\u2019s \u2018Lincoln,\u2019 [&hellip;] More"}