{"id":131066,"date":"2019-03-26T16:32:11","date_gmt":"2019-03-26T20:32:11","guid":{"rendered":"https:\/\/www.blackfilm.com\/read\/?p=131066"},"modified":"2019-03-26T16:33:01","modified_gmt":"2019-03-26T20:33:01","slug":"clemency-angelo-joy-among-must-see-films-from-new-directors-new-films-2019","status":"publish","type":"post","link":"https:\/\/www.blackfilm.com\/read\/clemency-angelo-joy-among-must-see-films-from-new-directors-new-films-2019\/","title":{"rendered":"Clemency, Angelo &#038; Joy Among Must-See Films From New Directors\/New Films 2019"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-131067\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 266'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/New-Directors-New-Films-2019-300x266.jpg\" alt=\"\" width=\"300\" height=\"266\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\">The<strong> Museum of Modern Art<\/strong>\u00a0(MOMA) and the <strong>Film Society of Lincoln Center<\/strong> will host the 48th annual <strong>New Directors\/New Films<\/strong> (ND\/NF), March 27 \u2013 April 7. Throughout its rich, nearly half-century history, the festival has celebrated filmmakers who represent the present and anticipate the future of cinema, daring artists whose work pushes the envelope in unexpected ways. This year\u2019s festival will introduce 24 features and 11 short films to New York audiences.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-131068\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 169'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/NDNF-2019-Opening-Centerpiece-Closing-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/p>\n<p class=\"p2\"><span class=\"s1\">The Opening, Closing, and Centerpiece selections are the New York premieres of three Sundance award-winners: opening the festival is <strong>Chinonye Chukwu\u2019s <\/strong><i><strong>Clemenc<\/strong>y<\/i>, which won the U.S. Dramatic Grand Jury Prize and features a masterful performance from Alfre Woodard as a prison warden grappling with her role in the justice system; Centerpiece is Alejandro Landes\u2019s <strong><i>Monos<\/i>,<\/strong> a contemporary reimagining of <i>Lord of the Flies<\/i> and winner of a World Cinema Dramatic Special Jury Prize; and closing ND\/NF is Pippa Bianco\u2019s <strong><i>Share<\/i>,<\/strong> a powerful portrait of a sexual assault victim, which took home U.S. Dramatic prizes for Breakthrough Performance and Screenwriting.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\"><b>Opening Night &#8211;\u00a0<\/b><\/span><span class=\"s1\"><b>Clemency<\/b><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-131069\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 169'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/Clemency-cast-Richard-Schiff-Wendell-Pierce-Danielle-Brooks-Alfre-Woodard-Aldis-Hodge-Chinonye-Chukwu-and-Richard-Gunn-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/p>\n<p>Director\/Writer: <strong>Chinonye Chukwu<\/strong><br \/>\nProducers: <strong>Bronwyn Cornelius, Julian Cautherley, Peter Wong, Timur Bekbosunov<\/strong><br \/>\nExecutive Producers: <strong>Kathryn Bostic, Johnny Chang, Emma Lee, Alfre Woodard<\/strong><br \/>\nCast: <strong>Alfre Woodard, Aldis Hodge, Richard Schiff, Wendell Pierce, Richard Gunn, Danielle Brooks<\/strong><br \/>\nComposer: <strong>Kathryn Bostic<\/strong> (\u201cDear White People\u201d)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-131070\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 181'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/Clemency-photo-300x181.jpg\" alt=\"\" width=\"300\" height=\"181\" \/><\/p>\n<p class=\"p3\"><span class=\"s1\">Winner of the Jury Prize in the U.S. Dramatic Competition at this year\u2019s Sundance Film Festival, Chinonye Chukwu\u2019s sophomore feature is an enthralling drama anchored by a powerhouse performance from the great Alfre Woodard. Bernadine (Woodard) is a prison warden whose psychic toll has been wrought by years working on death row, and which has caused tensions with her husband Jonathan (Wendell Pierce). After a harrowing botched procedure, her growing investment in the inmate who is next to be executed, Anthony (a mesmerizing Aldis Hodge), encourages her to take a long overdue look in the mirror\u2026 <i>Clemency <\/i>is an immersive, atmospheric film as well as a haunting, tough-minded inquiry into the dignity of work and the morality of capital punishment.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><b>Centerpiece &#8211;\u00a0<\/b><\/span><span class=\"s2\"><b>Monos<\/b><br \/>\nColombia\/Argentina\/Netherlands\/Germany\/Sweden\/Uruguay, 2018, 102m<\/span><br \/>\nEnglish and Spanish with English subtitles<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-131071\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 225'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/Monos-cast-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/p>\n<p>Director: <strong>Alejandro Landes<\/strong><br \/>\nWriter: <strong>Alexis dos Santos, Alejandro Landes<\/strong><br \/>\nProducers: <strong>Fernando Epstein, Alejandro Landes, Cristina Landes, Santiago A. Zapata<\/strong><br \/>\nExecutive Producers: <strong>Andr\u00e9s Calder\u00f3n, Charles De Viel Castel, Jorge Iragorri, Duke Merriman, Gustavo Pazmin, Josef Rebalski, Gloria Maria Restrepo<\/strong><br \/>\nCast: <strong>Julianne Nicholson, Moises Arias, Jorge Rom\u00e1n, Sofia Buenaventura, Laura Castrill\u00f3n, Deibi Rueda, Paul Cubides, Karen Quintero, Wilson Salazar, Julian Giraldo<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-131072\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 180'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/Monos-1-300x180.jpg\" alt=\"\" width=\"300\" height=\"180\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\"><i>Monos, <\/i>which won a Special Jury Award at Sundance is sure to be one of the most hotly debated films of 2019\u2014one critic called it \u201c<i>Apocalypse Now<\/i> on shrooms.\u201d In Alejandro Landes\u2019s intensely thrilling twist on <i>Lord of the Flies, <\/i>Julianne Nicholson plays a terrorized American engineer held captive by teenage guerilla bandits in an unnamed South American jungle. Leaderless and rootless, the child soldiers puff themselves up with names like Rambo, Smurf, and Bigfoot (the latter a brutal Moises Arias), and survive the tedium and predation of the wilderness through sexual games and cult-like rituals. As they wage physical and psychological warfare on perceived enemies\u2014and, inevitably, among themselves\u2014they are reduced to a state of desperate barbarism. The film\u2019s sense of surreal menace is amplified by Mica Levi\u2019s discordant soundscape and Jasper Wolf\u2019s cinematography.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/eSpuQB2E7NQ\" width=\"580\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p class=\"p4\"><span class=\"s1\"><b>Closing Night &#8211;\u00a0<\/b><\/span><span class=\"s2\"><b>Share<\/b><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-131073\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 200'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/Share-cast-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/p>\n<p>Director\/ Writer:\u00a0<span class=\"s1\"><b>Pippa Bianco<\/b><\/span><br \/>\nProducers: <strong>Carly Hugo, Matthew Parker, Tyler Byrne<\/strong><br \/>\nExecutive Producers: <strong>Andr\u00e9s Calder\u00f3n, Charles De Viel Castel, Jorge Iragorri, Duke Merriman, Gustavo Pazmin, Josef Rebalski, Gloria Maria Restrepo<\/strong><br \/>\nCast: <strong>Rhianne Barreto, Charlie Plummer, Poorna Jagannathan, J.C. Mackenzie, Nicholas Galitzine, and Lovie Simone<\/strong><\/p>\n<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-131074\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 169'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/NDNF-2019-Share-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\">A double prizewinner at this year\u2019s Sundance Film Festival, Pippa Bianco\u2019s unnerving feature debut is a profound and powerful examination of sexual assault and the increasingly volatile role the Internet plays in contemporary American society. Sixteen-year-old Mandy (a brilliant Rhianne Barreto) wakes up on her parents\u2019 lawn with no recollection of where she\u2019s been or how she got there. She is soon shown a cell-phone video in which she is undressed by a stranger while passed out at a party; the uncertainty of whatever followed (and produced the large bruise on her back) weighs on her as she struggles to figure out what to do next. A stylistically assured, engrossing mystery with real political and moral stakes, <i>Share<\/i> establishes Bianco as a bold and incisive new voice in American cinema. An HBO Films\/A24 release.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Angelo<\/b><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-131075\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 300'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/Angelo-poster-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Markus Schleinzer, Austria\/Luxembourg, 2018, 111m<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>French and German with English subtitles<\/b><\/span><\/p>\n<p>Cast: <strong>Alba Rohrwacher, Christian Friedel, Michael Rotschopf, Gerti Drassl, Dominic Marcus Singer, Marisa Growaldt, Makita Samba, Lukas Miko, \u00c9ric Gigout, &amp; Daniel Hoesl<\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\">Based on historical fact, <i>Angelo<\/i> charts the career of an African slave sold into 18th-century Viennese court society.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-131076\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 169'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/Angelo-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\">Captured as a young boy, Angelo becomes the pet project of a wealthy countess (Alba Rohrwacher), who carries out what she believes is her Christian duty to civilize him. As the years progress, Angelo rises to become her surrogate prodigal son and the beloved Court Moor of the Habsburg empire: the projection of every European fantasy of the noble savage. When an astonishing secret is exposed, Angelo is banished, leading to a horrifying, dehumanizing fate. Markus Schleinzer traces Angelo\u2019s life with a clinical sobriety, but also with an artifice (painted sets, blackface, exoticizing costumes and dioramas, sudden contemporary intrusions) that serves to reinforce the idea of race as a persistent prejudicial construct.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5xXiIsUxtF0\" width=\"580\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Joy\u00a0<\/b><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-131077\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 212 300'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/Joy-poster-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/p>\n<p><span class=\"s1\"><b>English, Nigerian Pidgin, and German with English subtitles<\/b><\/span><\/p>\n<p>Director\/ Writer:\u00a0<span class=\"s1\"><b>Sudabeh Mortezai<\/b><\/span><br \/>\nProducers: <strong>Carly Hugo, Matthew Parker, Tyler Byrne<\/strong><br \/>\nExecutive Producers: <strong>Andr\u00e9s Calder\u00f3n, Charles De Viel Castel, Jorge Iragorri, Duke Merriman, Gustavo Pazmin, Josef Rebalski, Gloria Maria Restrepo<\/strong><br \/>\nCast: <strong>Rhianne Barreto, Charlie Plummer, Poorna Jagannathan, J.C. Mackenzie, Nicholas Galitzine, and Lovie Simone<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-131078\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 169'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/Joy-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\">A staggering work of compassionate realism, Sudabeh Mortezai\u2019s second fiction feature follows Joy (Joy Anwulika Alphonsus), a young Nigerian sex worker living in Vienna, struggling to simultaneously create a better life for her family and pay off her madame. Joy finds herself increasingly implicated in the vicious cycle of human trafficking, and when she is tasked by her madame with mentoring a teenage Nigerian girl, she begins to understand her role within this dehumanizing machine and consider the possibility of a life outside of it. Sensitive yet unsentimental, intelligent and viscerally affecting, <i>Joy<\/i> is a politically incisive work and a moral act. A Netflix release.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/dSF1gmZdP8o\" width=\"580\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s3\"><b>SHORTS PROGRAMS<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s3\"><b>Program 2<\/b><\/span><span class=\"s1\"><b> (TRT: 79m)<\/b><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-131134\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 169'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/03\/America-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\">Featuring <i>The Golden Legend<\/i> by Chema Garc\u00eda Ibarra and Ion de Sosa, <i>Past Perfect<\/i> by Jorge J\u00e1come, <i>Altiplano <\/i>by Malena Szlam, and <i>America <\/i>by Garrett Bradley<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>America<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Garrett Bradley, USA, 2019, 29m<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Inspired by the recent release of <i>Lime Kiln Field Day<\/i>, a once-lost feature film from 1913 featuring a predominantly black cast, <i>America <\/i>masterfully captures moments of black artistry in sublime black-and-white 35mm.<\/span><\/p>\n<p class=\"p3\"><span class=\"s3\"><b>ABOUT NEW DIRECTORS\/NEW FILMS<\/b><\/span><span class=\"s1\"><b><br \/>\n<\/b>Dedicated to the discovery and support of emerging artists, New Directors\/New Films has earned an international reputation as the premier festival for works that break or re-cast the cinematic mold. The 48th New Directors\/New Films selection committee is made up of members from both presenting organizations: from The Museum of Modern Art, Rajendra Roy, Josh Siegel, La Frances Hui, and Brittany Shaw, and from the Film Society of Lincoln Center, Dennis Lim, Florence Almozini, Dan Sullivan, and Tyler Wilson. For more information about the festival, visit <a href=\"https:\/\/nam04.safelinks.protection.outlook.com\/?url=http%3A%2F%2Femail.wordfly.com%2Fclick%3Fsid%3DNTU1XzEwOTIzXzQ1ODg3XzcxNDc%26l%3D1cabd6d8-0536-e911-a31f-e61f134a8c87&amp;data=02%7C01%7C%7C72640e7d39f44cfc5d5a08d6983375f4%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636863744159458412&amp;sdata=khEbep1lSrguiKgFjQcP2a5tokUKqLhXPQbzbcUfm7A%3D&amp;reserved=0\"><span class=\"s4\">newdirectors.org<\/span><\/a> and follow the festival on Facebook (<a href=\"https:\/\/nam04.safelinks.protection.outlook.com\/?url=http%3A%2F%2Femail.wordfly.com%2Fclick%3Fsid%3DNTU1XzEwOTIzXzQ1ODg3XzcxNDc%26l%3D1dabd6d8-0536-e911-a31f-e61f134a8c87&amp;data=02%7C01%7C%7C72640e7d39f44cfc5d5a08d6983375f4%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636863744159468417&amp;sdata=CVMmuKbc707dPgCKkm1iGbUvyRavIn7vJ7CLDcUNiKA%3D&amp;reserved=0\"><span class=\"s4\">facebook.com\/newdirectors<\/span><\/a>) and Twitter (@NDNF, #NDNF).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chinonye Chukwu\u2019s Clemency won the U.S. Dramatic Grand Jury Prize at Sundance <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.blackfilm.com\/read\/clemency-angelo-joy-among-must-see-films-from-new-directors-new-films-2019\/\">More<\/a><\/p>\n","protected":false},"author":8,"featured_media":131069,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,143],"tags":[],"reaction":[],"class_list":{"0":"post-131066","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news","8":"category-read"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v19.7 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Clemency, Angelo &amp; 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