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The 26th New York African Film Festival<\/strong> <\/b>(NYAFF) kicks off at BAM Film on Thursday, May 23, and runs through Monday, May 27, as a part of BAM\u2019s popular dance and music festival<\/span><\/p>\n Under the theme \u201cBeyond Borders: Storytelling Across Time,\u201d<\/strong> this year the event launches at BAM Film in May, heads to Film at Lincoln Center (FLC) from May 30 through June 4, and closes at Maysles Cinema. The popular festival includes 68 films of multiple genres from 31 countries across the diaspora, and is presented by FLC and African Film Festival, Inc. (AFF).<\/span><\/p>\n Opening Night at Film at Lincoln Center at 6:30 p.m. on Thursday, May 30 is the U.S. premiere of Frances-Anne Solomon\u2019s triumphant feature HERO: Inspired by the Extraordinary Life and Times of Mr. Ulric Cross<\/i><\/strong>. The film, which won the Trinidad and Tobago Film Festival People\u2019s Choice Award in the narrative feature category, tells the story of Cross, the Royal Air Force\u2019s most decorated West Indian of World War II, and his and his fellow West Indians\u2019 lasting impact on world history, including several liberation struggles across Africa. The film was selected as part of NYAFF\u2019s celebration of the 100th anniversary of the first Pan-African Congress, organized in Paris by W.E.B. Du Bois and Ida Gibbs Hunt in February 1919, when delegates from Africa and the diaspora convened to champion Africa\u2019s self-determination. Tickets for the film and Opening Night post-screening reception are available online at africanfilmny.org<\/span><\/a><\/span> for $100<\/span>. Regular festival prices apply for screening-only tickets, which can be purchased at filmlinc.org<\/a>.<\/span><\/p>\n Marking the 25th anniversary of the tragic Rwandan genocide of 1994, when between 800,000 and one million lives were lost, at 5:45 p.m. on Saturday, June 1 is the Centerpiece film, Rwandan director Jo\u00ebl Karekezi\u2019s gripping drama The Mercy of the Jungle<\/i><\/strong>. One of a crop of films about the aftermath of the tragedy by Rwandan directors, it follows Rwandan soldiers hunting rebels separated from their unit as they fight to survive while lost in the war-torn countryside. Preceding The Mercy of the Jungle <\/i>will be the short The Letter Carrier<\/i>, <\/i>a haunting, folkloric fairy tale told through original a capella song. The directorial debut of actor-directors Jesse L. Martin and Rick Cosnett imagines a black family from Virginia\u2019s Blue Ridge Mountains and the lengths they will go to save themselves from slavery.<\/span><\/p>\n In its look back, NYAFF also tips its hat to FESPACO<\/strong> (Panafrican Film and Television Festival of Ouagadougou), the historic festival in Burkina Faso now celebrating its 50th anniversary, with classic works from African trailblazers who continue to influence generations of filmmakers. Among the selections are the first FESPACO Best Film winner (Oumarou Ganda\u2019s Le Wazzou polygame<\/i><\/strong> in 1972), most recent awardee (Karekezi\u2019s gripping drama The Mercy of the Jungle<\/i>), and several in between, including Mahmoud Ben Mahmoud\u2019s Fatwa <\/i>(bronze at FESPACO in 2019, first prize at Carthage Film Festival in 2018), Ola Balogun\u2019s Black Goddess <\/i>(1978), <\/i>and Souleymane Ciss\u00e9\u2019s Baara <\/i>(1978), all seminal works that define themes explored in contemporary African cinema. The final film screening at Film at Lincoln Center, on June 4, is the sweeping epic Sarraounia<\/i> by Med Hondo, who passed away on March 2.<\/span><\/p>\n The festival also highlights some of today\u2019s most buzzed-about directors of the diaspora, including South African comedian-actor-director Kagiso Lediga<\/strong> (Wizard<\/i> \/ Matwetwe<\/i>), the first African director to be tapped for a Netflix Original Series (Queen Sono<\/i>, starring Pearl Thusi); Julius Amedume<\/strong>, whose thriller Rattlesnakes <\/i>featuring Jimmy Jean-Louis won the Panafrican Film Festival Audience Award for Narrative Feature), and Cameroonian director Rosine Mbakam<\/strong>, whose Chez Jolie Coiffure<\/i> captures the powerful real-life story of an undocumented hair-salon manager who escaped to Belgium from quasi-slavery in Lebanon.<\/span><\/p>\n A digital art exhibition, From Ouaga to NYC: Capturing the Pan-African Spirit, will run from 1 p.m. to 8:30 p.m. Friday, May 31, to Monday, June 3, and 1 p.m. to 4 p.m. on Tuesday, June 4. For four decades, director Mohamed Challouf<\/strong> and cultural advocate Kojo Ade<\/strong> captured African and African diaspora cultural celebrations on the continent and in the diaspora respectively. Charting personal memories across landscapes of African history and heritage, the two photographic essays explore issues of cultural identity shaping an African diaspora consciousness and solidarity within an international vocabulary of contemporary media art practice.<\/span><\/p>\n Finally, acclaimed Cameroonian filmmaker Jean-Marie T\u00e9no<\/strong> will deliver a free master class on entertainment and education within the context of African cinema on June 1. The event will feature a discussion on how filmmakers and stakeholders today can trigger change through the transformative power of cinema, much as the pioneering generation of African filmmakers did in <\/span><\/p>\n Tickets are $15; $12 for students, seniors (62+), and persons with disabilities; and $10 for Film at Lincoln Center members. See more and save with a 3+ film discount package. Learn more at filmlinc.org.<\/span><\/p>\n It then heads to FLC and closes with screenings at the Maysles Cinema in Harlem from Thursday, June 6, through Sunday, June 9. <\/span><\/p>\n FILMS & DESCRIPTIONS All screenings take place at the Elinor Bunin Munroe Film Center (144 West 65th Street) Opening Night<\/b><\/span><\/p>\n HERO: Inspired by the Extraordinary Life and Times of Mr. Ulric Cross<\/b><\/span><\/p>\n Frances-Anne Solomon, Trinidad and Tobago\/Canada, 2018, 110m<\/b><\/span><\/p>\n In 1941, a young man from Trinidad named Ulric Cross leaves his island home to seek his fortune. He emerges from World War II as the RAF\u2019s most decorated West Indian. Cross\u2019s long life spanned key moments of the 20th century, including independence in Africa and the Caribbean. Shot in Ghana, the United Kingdom, and Trinidad and Tobago, the film is not just about his life but also the transformative times in which he lived, and tells the untold story of those Caribbean professionals who helped to liberate Africa from colonialism.<\/span><\/p>\n Thursday, May 30, 6:30pm<\/b><\/span><\/p>\n Sunday, June 2, 4:15pm<\/b><\/span><\/p>\n Centerpiece <\/b><\/span><\/p>\n The Mercy of the Jungle<\/b><\/span><\/p>\n Joel Karekezi, Belgium\/France, 2018, 91m<\/b><\/span><\/p>\n French and Swahili with English subtitles<\/b><\/span><\/p>\n At the outbreak of the Second Congo War, Rwandan soldiers Sergeant Xavier and Private Faustin are sent to hunt down Hutu rebels in the vast jungles of eastern Congo. Xavier is a stoic veteran of the ethnic wars that have plagued his country for years; Faustin is an eager young recruit who joined the army to avenge the death of his father and brothers. Under the relentless command of Major Kayitare, they march 80 kilometers a day in pursuit of the murderers of nearly one million Tutsis during the Rwandan genocide four years earlier. When they are accidentally left behind in the jungle, with only each other to rely on, they embark on an odyssey through one of the most beautiful, yet treacherous forests on earth, faced with the depths of their own war-torn souls.<\/span><\/p>\n Preceded by:<\/i><\/span><\/p>\n The Letter Carrier<\/b><\/span><\/p>\n Jesse L. Martin & Rick Cosnett, Canada, 2016, 18m <\/b><\/span><\/p>\n In the Blue Ridge Mountains of 1860, a mother protects her family from slavery, while the myth of a man known as The Letter Carrier, who, as the legend goes, roams the mountains looking for children to sell as slaves, looms over them.<\/span><\/p>\n Saturday, June 1, 6:00pm (with Q&A)<\/b><\/span><\/p>\n Monday, June 3, 3:30pm (with Q&A)<\/b><\/span><\/p>\n Baara<\/b><\/span><\/p>\n Souleymane Ciss\u00e9, Mali, 1978, 93m<\/b><\/span><\/p>\n Bambara with English subtitles<\/b><\/span><\/p>\n In the great Malian filmmaker <\/span>Souleymane Ciss\u00e9\u2019s political drama, <\/span>a young factory manager encounters a man walking along a road who tells him his family members work as servants in the manager\u2019s household. The man then offers him a job, and as he watches out for his welfare, begins to see how the company mistreats its workers. As dire problems surface at the factory, the manager is then challenged to choose between his ethics and the pressure from others to protect his own interests.<\/span><\/p>\n Monday, June 3, 6:00pm (with Q&A)<\/b><\/span><\/p>\n Bigger Than Africa <\/b><\/span><\/p>\n Toyin Ibrahim Adekeye, Nigeria\/USA, 2018, 90m<\/b><\/span><\/p>\n When the slave boats carrying African people docked in America, Brazil, Cuba, and the Caribbean, hundreds of cultures, traditions, and religions landed with them. Today, only one remains prominent in the new world: the culture of the Yorubas. This documentary, shot in six different countries (including Brazil, the United States, Republic of Benin, Cuba, Trinidad and Tobago), and featuring interviews from around the world, follows the journey of these Africans from West Africa to their final destinations.<\/span><\/p>\n Sunday, June 2, 9:15pm (with Q&A)<\/b><\/span><\/p>\n Black Goddess \/ A Deusa Negra<\/b><\/span><\/p>\n Ola Balogun, Nigeria\/Brazil, 1978, 95m<\/b><\/span><\/p>\n Portuguese with English subtitles<\/b><\/span><\/p>\n Black Goddess <\/i>is <\/i>a classic Nigerian-Brazilian film from director Ola Balogun that journeys into the past and present of Africa. Balogun\u2019s tale is a love story that spans three centuries, set in both the 18th century and the 1970s, when the movie was made. Structured in the form of mystical journey, the film unfolds under the aegis of the Yoruba divinity Yemoja.<\/span><\/p>\n Tuesday, June 4, 6:00pm (with Q&A)<\/b><\/span><\/p>\n Chez Jolie Coiffure <\/b><\/span><\/p>\n Rosine Mbakam, Belgium\/Cameroon, 2018, 71m<\/b><\/span><\/p>\n French and Pidgin with English subtitles<\/b><\/span><\/p>\n Recruited by a Lebanese maid agency, Sabine leaves Cameroon and embarks for Lebanon. After many years of servitude, she escapes to Belgium, but her arrival there is complicated by the fact that she enters illegally, by way of Greece and Syria. She settles in Matonge, the African quarter, where she becomes the manager of the beauty salon Chez Jolie Coiffure. Here, patrons, many of them undocumented immigrants, are not only be made to feel beautiful but can also escape the daily difficulties and harsh realities of their lives.<\/span><\/p>\n Preceded by:<\/i><\/span><\/p>\n Little Girl<\/b><\/span><\/p>\n Tafadzwa Chiriga, Zimbabwe\/USA\/Nigeria, 2018, 6m<\/b><\/span><\/p>\n In this visually beautiful coming-of-age story, ancestral spirits emerge from the depths of a forest to guide a young African-American woman into a deeper relationship with her past, introducing her to a rich legacy of the African women who came before her. Little Girl<\/i> is about finding a deeper understanding of the self, infused with questions of identity, religion, and cultural history.<\/span><\/p>\n Sunday, June 2, 12:30pm (with Q&A)<\/b><\/span><\/p>\n Chosen \/ Le Futur dans le r\u00e9tro<\/b><\/span><\/p>\n Jean-Marie T\u00e9no, Cameroon\/Ghana\/France, 2018, 89m <\/b><\/span><\/p>\n French and English with English subtitles<\/b><\/span><\/p>\n In 1964, following the death of her mother, 14-year-old Nana Banyina Horne becomes a mother figure to eight younger siblings. Years later, after living and teaching in America, Nana is chosen to be Queen Mother back in Ghana. As the film follows her on her journey home, we meet her sisters, family, and other members of the community, and we slowly perceive the both loving and suffocating ties and responsibilities that pull her back. On Nana\u2019s journey, motherhood and sisterhood converge and collide, losses resurface, and cycles repeat, bringing to the fore questions of place and belonging, and the burdens of responsibility and sacrifice.<\/span><\/p>\n Saturday, June 1, 1:00pm (with Q&A)<\/b><\/span><\/p>\n Fatwa<\/b><\/span><\/p>\n Mahmoud Ben Mahmoud, Tunisia, 2018, 102m Brahim Nadhour is a Tunisian living in France who returns to his home country to bury his son, Marouane, who was killed in a motorcycle accident. While there, Brahim finds out that Marouane was active in a radical Islamist group. Brahim then decides to carry out his own investigation to discover why Marouane was radicalized and who indoctrinated him.<\/span><\/p>\n Sunday, June 2, 6:45pm (with Q&A)<\/b><\/span><\/p>\n Tuesday, June 4, 3:30pm<\/b><\/span><\/p>\n Oga Bolaji<\/b><\/span><\/p>\n Kayode Kasum, Nigeria, 2018, 91m<\/b><\/span><\/p>\n Pidgin and Yoruba with English subtitles<\/b><\/span><\/p>\n Oga Bolaji <\/i>centers on the simple, happy-go-lucky life of a retired, 40-year-old musician (played by Gold Ikponmosa) whose life changes forever when he crosses paths with a 7-year-old girl. Oga Bolaji<\/i> showcases the resilience and ingenuity of the Nigerian spirit, of striving, hoping, and dreaming despite life\u2019s pain and limitations.<\/span><\/p>\n Saturday, June 1, 9:00pm (with Q&A)<\/b><\/span><\/p>\n Monday, June 3, 1:00pm (with Introduction)<\/b><\/span><\/p>\n Rattlesnakes<\/b><\/span><\/p>\n Julius Amedume, USA\/UK, 2019, 86m<\/b><\/span><\/p>\n Writer-director Julius Amedume\u2019s Rattlesnakes, <\/i>is a psychological neo-noir thriller based on Graham Farrow\u2019s acclaimed stage play. The story follows an intense day in the life of family man and yoga instructor Robert McQueen (Jimmy Jean-Louis), who is ambushed by three masked strangers accusing him of sleeping with their wives. He pleads his innocence, though what he does reveal will change all of their lives forever. But will it be enough to save his?<\/span><\/p>\n Monday, June 3, 8:30pm (with Q&A)<\/b><\/span><\/p>\n Sarraounia<\/b><\/span><\/p>\n Med Hondo, Burkina Faso\/Mauritania\/France, 1986, 120m<\/b><\/span><\/p>\n Dioula, French, and Fula with English subtitles<\/b><\/span><\/p>\n Based on historical accounts of Queen Sarraounia, who led the Azans into battle against the French colonialists at the turn of the century, Med Hondo\u2019s sweeping epic rivals any that American cinema has produced. A brilliant strategist and forceful leader, the queen commands respect from the men she guides into battle and deep loyalty for her people. Hondo contrasts the strong alliances that emerge among African communities with the self-seeking and purposelessness of the Europeans and provides much-needed African historical perspective. <\/span><\/p>\n Sarraounia<\/i> is both an engrossing tale of a remarkable woman\u2019s bravery and a captivating study of revolution against enslavement and the struggle for peace and freedom.<\/span><\/p>\n Tuesday, June 4, 8:30pm (with introduction) <\/b><\/span><\/p>\n Le Wazzou polygame<\/b><\/span><\/p>\n Oumarou Ganda, Niger, 1971, 50m<\/b><\/span><\/p>\n Djema with English subtitles<\/b><\/span><\/p>\n El Hadji, an Islamic faithful, returns from his holy pilgrimage to Mecca, and falls in love with his daughter\u2019s friend Santou, who is already engaged to be married. However, El Hadji already has two wives, and his second wife, Gaika, cannot stand the idea of another younger woman entering her house. Oumarou Ganda\u2019s film depicts the rift between tradition and modernity during the period of Nigerien emancipation, and it serves as an homage to the age of African independence that gave way to the classic era of Francophone African cinema, which depicted the social struggles that come with emancipation discourse. Le Wazzou polygame<\/i> won the top prize at the 1972 FESPACO awards (Panafrican Film and Television Festival of Ouagadougou), and was cited for cultivating a theme of liberation and humanization in African cinema.<\/span><\/p>\n Preceded by:<\/i><\/span><\/p>\n Mamb\u00e9ty<\/b><\/span><\/p>\n Papa Madi\u00e8ye Mbaye, Senegal, 2002, 28m<\/b><\/span><\/p>\n Wolof with English subtitles<\/b><\/span><\/p>\n Senegalese director Djibril Diop Mamb\u00e9ty, one of the greatest figures in all of African film, died in 1998. In this behind-the-scenes documentary, shot during the making of his final work, The Little Girl Who Sold the Sun<\/i> \/ La petite vendeuse de soleil<\/i>, Mamb\u00e9ty speaks with his technicians, prepares the actors, talks with his young star, and, in voiceover, shares his thoughts on cinema and life.<\/span><\/p>\n Friday, May 31, 6:30pm<\/b><\/span><\/p>\n Wizard \/ Matwetwe <\/b><\/span><\/p>\n Kagiso Lediga, South Africa, 2018, 84m<\/b><\/span><\/p>\n Sotho-Tswana with English subtitles<\/b><\/span><\/p>\n It\u2019s New Year\u2019s Eve in Atteridgeville, and Lefa is on the cusp of major change. Accepted into university to study botany, he\u2019s about to leave the ghetto township that has been his home\u2014if only his deadbeat father will come through with his school fees. The easy life is on the horizon, but he and his best friend, an albino would-be gangster, Paapi, need to first find a way to navigate the difficult life at home.<\/span><\/p>\n Friday, May 31, 8:45pm<\/b><\/span><\/p>\n Tuesday, June 4, 1:30pm<\/b><\/span><\/p>\n Shorts Program (TRT: 107m)<\/b><\/span><\/p>\n Featuring Showtime<\/i> by Shawn Antoine II, Suicide by Sunlight<\/i> by Nikyatu, No Traveler Returns <\/i>by Ellie Foumbi, Sign Up<\/i> by Abeer Yehia, Wrong Con <\/i>by Charles Obi Emere, and Hello, Rain<\/i> by C.J. \u201cFiery\u201d Obasi<\/span><\/p>\n Saturday, June 1, 3:30pm<\/b><\/span><\/p>\n Showtime <\/b><\/span><\/p>\n Shawn Antoine II, USA, 2018, 15m<\/b><\/span><\/p>\n Darius and Hakeem dance on New York City trains to earn honest money and escape crime within the area. When Darius is offered an opportunity to audition for Juilliard\u2019s traveling dance team, Hakeem grows jealous. When Hakeem begins to sell drugs with the neighborhood goon TJ and succumb to the crime that surrounds him, Darius is faced with the decision to pursue his life-changing opportunity or help keep Hakeem out of trouble.<\/span><\/p>\n Suicide by Sunlight<\/b><\/span><\/p>\n Nikyatu, USA, 2019, 17m<\/b><\/span><\/p>\n Valentina, a day-walking black vampire protected from the sun by her melanin, finds it difficult to suppress her bloodlust when a new woman is introduced to her estranged twin daughters.<\/span><\/p>\n No Traveler Returns <\/b><\/span><\/p>\n Ellie Foumbi, Ivory Coast\/USA, 2019, 12m<\/b><\/span><\/p>\n French with English subtitles<\/b><\/span><\/p>\n A young African immigrant\u2019s struggle to adjust to life in America pushes him toward an existential crisis.<\/span><\/p>\n Sign Up <\/b><\/span><\/p>\n Abeer Yehia, Egypt, 2019, 15m<\/b><\/span><\/p>\n Arabic with English subtitles<\/b><\/span><\/p>\n Detainees in an Egyptian jail cell receive a new prisoner, Ahmed, who happens to be well-known on social media. Their interaction brings out their different backgrounds and perspectives, and as their relationship further develops, we learn the reasons behind their imprisonment. Together, they come up with an unusual solution to confront their new reality.<\/span><\/p>\n Wrong Con <\/b><\/span><\/p>\n Charles Obi Emere, Nigeria, 2018, 18m<\/b><\/span><\/p>\n English and Pidgin with English subtitles<\/b><\/span><\/p>\n Two down-on-their-luck con men desperately need to make a few bucks. They decide to pose as pastors in order to waylay a desperate wealthy man with a sick daughter. The job is supposed to be easy, but things take a turn when he locks con men inside the room with the demon-possessed girl, refusing to let them out until they have healed her.<\/span><\/p>\n![\"\"](\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/05\/HERO-Inspired-by-the-Extraordinary-Life-and-Times-of-Mr-Ulric-Cross-242x300.jpg\")
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\nunless otherwise noted.<\/i><\/span><\/p>\n![\"\"](\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/05\/HERO-Inspired-by-the-Extraordinary-Life-and-Times-of-Mr.-Ulric-Cross-1-300x150.jpg\")
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\nArabic with English subtitles<\/b><\/span><\/p>\n