{"id":133789,"date":"2019-06-07T18:42:42","date_gmt":"2019-06-07T22:42:42","guid":{"rendered":"https:\/\/www.blackfilm.com\/read\/?p=133789"},"modified":"2019-06-07T18:42:42","modified_gmt":"2019-06-07T22:42:42","slug":"late-night-director-nisha-ganatra-on-directing-mindy-kalings-sundance-darling-and-the-need-for-diversity-in-hollywood","status":"publish","type":"post","link":"https:\/\/www.blackfilm.com\/read\/late-night-director-nisha-ganatra-on-directing-mindy-kalings-sundance-darling-and-the-need-for-diversity-in-hollywood\/","title":{"rendered":"Late Night Director Nisha Ganatra on Directing Mindy Kaling\u2019s Sundance Darling and the Need For Diversity in Hollywood"},"content":{"rendered":"<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-132349\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 203 300'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/05\/Late-Night-Poster-203x300.jpg\" alt=\"\" width=\"203\" height=\"300\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\"><strong>Nisha Ganatra<\/strong> is a powerful force to be reckoned with in Hollywood. The Indian American director has helmed both film and television projects for some of the most tv popular shows. Ganatra has guided episodes of <strong>The Mindy Project, Dear White People, Fresh Off The Boat <\/strong>and<span class=\"Apple-converted-space\">\u00a0<\/span><strong>Brooklyn 99<\/strong>.<span class=\"Apple-converted-space\">\u00a0 <\/span>It seems fitting that Mindy Kaling selected Ganatra to tell her story, when she wrote <strong>Late Night <\/strong>about her first big job as a television writer, in a writer\u2019s room full of all white men. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The comedy garnered so much buzz at Sundance that it was bought by Amazon in a record setting $13 million dollar deal. Mindy Kaling portrays Molly Patel who is hired by Katherine Newberry (Emma Thompson) to bring a fresh female voice to help her low rated late night talk show.<span class=\"Apple-converted-space\">\u00a0 <\/span>Molly finds that she is constantly challenged and ridiculed by her male peers as the only woman of color in the room. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">BlackFilm spoke with Nisha Ganatra about working with Mindy Kaling and Emma Thompson to convey Mindy\u2019s personal experience in the movie. <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\"><span class=\"Apple-converted-space\">\u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-133790\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 200 300'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/06\/Nisha-Ganatra-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" \/><\/span><\/span><span class=\"s1\"><b>Mindy Kaling wrote the film about her experience as a television writer.<span class=\"Apple-converted-space\">\u00a0 <\/span>She was the only woman on The Office\u2019s writing staff when she was first hired at twenty-four. Did she give you any additional notes or guidance about how she wanted to be portrayed in the role? <\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Nisha Ganatra: <\/b>No, I read the script. I related to the character\u2019s journey. We\u2019ve had a very similar shared experience. The nice thing about the movie is we didn\u2019t have to give each other guidance.<span class=\"Apple-converted-space\">\u00a0 <\/span>Obviously I directed her and gave her guidance on her performance. When we were on the set to express my vision of the film. We both had a shared experience, so I guess we could start a little further down the road than where a director and writer usually have to start.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-133791\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 255 300'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/06\/Mindy-Kaling-and-Nisha-Ganatra-255x300.jpg\" alt=\"\" width=\"255\" height=\"300\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Can you talk more about that shared experience that you both have? <\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"> <b>Nisha Ganatra: <\/b>I think we both often find ourselves as the only woman in the room in television. Or the only woman of color in a position of power in television. It\u2019s that thing that happens when you walk into a room and you realize nobody else who is in here looks like me. And I think it is something we both have experienced through the span of our careers. It was really fun to get her to portray that and talk about it and make fun of it.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/DxefiCjQirw\" width=\"580\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>The movie addresses themes about the need for diversity in Hollywood. Can you discuss this?<\/b><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-133792\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 200 300'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/06\/Nisha-Ganatra-3-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Nisha Ganatra: <\/b>Yes, to me<b> <\/b>I think it is a really interesting way to talk about it. This to sort of one, make sure it is funny and comedic. But two, to me it\u2019s a story about how Katherine\u2019s character has sort of bought into this false myth that she had to be one of the guys in order to succeed.<span class=\"Apple-converted-space\">\u00a0 <\/span>Now Molly\u2019s character helps her learn and realize that was never really true.<span class=\"Apple-converted-space\">\u00a0 <\/span>That Katherine could have taken a different path.<span class=\"Apple-converted-space\">\u00a0 <\/span>Maybe she could have, maybe she couldn\u2019t have historically. But I think what the message I was interested in was the idea that success in our industry is a zero sum game. That there is only one seat at the table for a woman or only one seat at the table for a person of color. And that if anyone else comes into the room they are somehow threatened that the position is full. That was all fiction to start with, there are always many seats at the table that having other people give the perspective that they have makes it a better environment for everyone. It actually makes the final product better. To me it was very important to kind of expose that myth about diversity and inclusion in the workplace helps just the person it seems to be helping. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">That percentage is higher. It actually helps everyone in there it actually helps the final creative process the most. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Did you both have a conversation about how Mindy was a diversity hire and how she was treated in the writer\u2019s room?<\/b><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-130203\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 169'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/02\/Late-Night-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Nisha Ganatra: <\/b>Yeah, she shared a lot of her stories with me about her experiences in there. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>There are some key scenes in the film about how after she is hired some of the other writers will make comments about her. Her colleagues teased her because she was hired to bring a female voice on to the staff for the show. Can you discuss some of those scenes and how important it is for you to show something like that in the movie?<\/b><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-130202\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 200'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/02\/Late-Night-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Nisha Ganatra: <\/b>It\u2019s just how it is in the movie how it is written. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Emma Thompson portrays Katherine. Her character has an interesting relationship with Mindy in the film. Both of their interactions are pivotal to the story. Emma, the way her character is she has gone through her career but at a certain point she feels as though she has hit a glass ceiling in her career. She is interacting with Molly. Even though they start off in a more antagonistic relationship, eventually they are able to work with one another. Can you talk further regarding that?<\/b><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-133793\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 200'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2019\/06\/Nisha-Ganatra-directing-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Nisha Ganatra: <\/b>I don\u2019t think Emma hit a glass ceiling because she is sort of at the pinnacle of her career. It think she is hitting, at the point of ageism and complacency that comes with success sometimes. Molly\u2019s character is sort of bright eyed and just starting out. I think the two of them have a lot to learn from each other and inform each other\u2019s experiences. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Late Night opens in theaters on Friday, June 7th. <\/b><\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/trC8rNFsBFw\" width=\"580\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The film also stars Emma Thompson, John Lithgow, Max Casella, Hugh Dancy, &#038; Denis O\u2019Hare <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.blackfilm.com\/read\/late-night-director-nisha-ganatra-on-directing-mindy-kalings-sundance-darling-and-the-need-for-diversity-in-hollywood\/\">More<\/a><\/p>\n","protected":false},"author":8,"featured_media":133794,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27144,18,16,143],"tags":[],"reaction":[],"class_list":{"0":"post-133789","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exclusives","8":"category-interviews","9":"category-news","10":"category-read"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v19.7 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Late Night Director Nisha Ganatra on Directing Mindy Kaling\u2019s Sundance Darling and the Need For Diversity in Hollywood - blackfilm.com<\/title>\n<meta name=\"robots\" content=\"index, follow, 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