{"id":150874,"date":"2021-03-22T13:24:10","date_gmt":"2021-03-22T17:24:10","guid":{"rendered":"https:\/\/www.blackfilm.com\/read\/?p=150874"},"modified":"2021-03-22T23:47:43","modified_gmt":"2021-03-23T03:47:43","slug":"sxsw-2021-them-review","status":"publish","type":"post","link":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/","title":{"rendered":"SXSW 2021: &#8216;THEM&#8217; Review"},"content":{"rendered":"\n<p>The Amazon Prime terror anthology series <a href=\"https:\/\/www.primevideo.com\/detail\/THEM\/0QG49RD8NK3CHUYPMBRUXPR0AM\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>THEM<\/strong><\/a> premiered at the SXSW Film Festival on March 18. Executive produced by<strong> Little Marvin<\/strong> (The Time is Now) and <strong>Lena Waithe<\/strong> (Queen &amp; Slim, The Chi), the show is being compared to HBO\u2019s Lovecraft Country and is just as intense and terrifying with similar supernatural themes.    <span style=\"color:#ffffff\" class=\"has-inline-color\">SXSW 2021: &#8216;THEM&#8217; Review<\/span><\/p>\n\n\n\n<p>The first season is set in the 1950\u2019s and follows the Emory\u2019s, a black family that has left the Jim Crow South and is moving on up to Los Angeles, to a beautiful new home in a new all-white subdivision. We watch as their American dream slowly turns into an American nightmare. Each member of the seemingly perfect Emory family, is terrorized in different ways. They face evil forces from outside their home from their hateful and racist neighbors, and inside their home by malevolent forces at work at destroying them. On top of that, the Emory&#8217;s endure mental terror that play tricks with their minds. <\/p>\n\n\n\n<p>Father and engineer Henry Emory (<strong>Ashley Thomas <\/strong>\u2013 The Night Of, Top Boy), lands his dream job at a large LA firm and picks up his family and moves to then all-white Compton, CA. Henry is hated by his neighbors and is treated like an outsider at work while also being threatened by otherworldly forces lurking in the halls of his firm. <\/p>\n\n\n\n<p>Already mentally unstable housewife and homemaker, Lucky Emory (<strong>Deborah<\/strong> <strong>Ayorinde &#8211; Harriet, Girls Trip<\/strong>) is terrorized by the evil forces she feels in her home as well as the white housewives in her community. She attempts the impossible task of facing the housewives head on in a society that is not on her side. <\/p>\n\n\n\n<p>The Emory daughters, Ruby (<strong>Shahadi Wright <\/strong>\u2013 Us, The Lion King) and Gracie (<strong>Melody Hurd <\/strong>\u2013 Battle at Big Rock), of course face major difficulties at their all white schools, but both are plagued by \u201cfriends\u201d that I have yet to determine are real, imaginary, or of the spirit world. They fear for their mother\u2019s delicate state and the evil presence stalking their beautiful new home.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" data-expand=\"600\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1 1'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-2-819x1024.jpeg\" alt=\"\" data-id=\"150876\" data-full-url=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-2.jpeg\" data-link=\"https:\/\/www.blackfilm.com\/read\/?attachment_id=150876\" class=\"lazyload wp-image-150876\"\/><figcaption class=\"blocks-gallery-item__caption\">Ashley Thomas<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" data-expand=\"600\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1 1'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-3-819x1024.jpeg\" alt=\"\" data-id=\"150877\" data-full-url=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-3.jpeg\" data-link=\"https:\/\/www.blackfilm.com\/read\/?attachment_id=150877\" class=\"lazyload wp-image-150877\"\/><figcaption class=\"blocks-gallery-item__caption\"><strong>Shahadi Wright<\/strong><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" data-expand=\"600\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1 1'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-4-819x1024.jpeg\" alt=\"\" data-id=\"150878\" data-full-url=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-4.jpeg\" data-link=\"https:\/\/www.blackfilm.com\/read\/?attachment_id=150878\" class=\"lazyload wp-image-150878\"\/><figcaption class=\"blocks-gallery-item__caption\"><strong>Melody Hurd<\/strong><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" data-expand=\"600\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1 1'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-1-e1616425682467-1024x973.jpeg\" alt=\"\" data-id=\"150875\" data-full-url=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-1-e1616425682467.jpeg\" data-link=\"https:\/\/www.blackfilm.com\/read\/?attachment_id=150875\" class=\"lazyload wp-image-150875\"\/><figcaption class=\"blocks-gallery-item__caption\"><strong>Deborah<\/strong> <strong>Ayorinde<\/strong><\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>The series, while dark, uses some really great music and is beautifully shot. It&#8217;s reminiscent of <strong>Jordan Peele<\/strong>\u2019<strong>s<\/strong> film <strong>Us<\/strong>, also about a black family who were terrorized by a group of menacing&nbsp;doppelg\u00e4ngers. And <strong>Them<\/strong> is just as hair-raising, creepy and twisted but you won\u2019t be able to look away. Click <a href=\"https:\/\/www.blackfilm.com\/read\/2021\/03\/teaser-trailer-for-terror-anthology-series-them\/\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a> to watch the trailer.<\/p>\n\n\n\n<p><strong>Cast:<\/strong>&nbsp;Deborah Ayorinde, Ashley Thomas, Shahadi Wright Joseph, Melody Hurd, Alison Pill<\/p>\n\n\n\n<p><strong>Executive Producers:<\/strong>&nbsp;Little Marvin, Lena Waithe, Don Kurt, Miri Yoon, David Matthews, and Roy Lee of Vertigo Entertainment. <strong>THEM<\/strong> is a co-production from Sony Pictures Television and Amazon.     <span style=\"color:#ffffff\" class=\"has-inline-color\">SXSW 2021: &#8216;THEM&#8217; Review<\/span><\/p>\n\n\n\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/2021\/03\/sxsw-2021-film-festival-the-blackfilm-com-list\/\">SXSW 2021 Film Festival \u2013 The blackfilm.com List<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Amazon Prime terror anthology series THEM premiered at the SXSW Film Festival on March 18. Executive produced by Little Marvin (The Time is Now) and Lena Waithe (Queen &amp; Slim, The Chi), the show is being compared to HBO\u2019s Lovecraft Country and is just as intense and terrifying with similar supernatural themes. SXSW 2021: [&hellip;] <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/\">More<\/a><\/p>\n","protected":false},"author":14,"featured_media":150875,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[145,16,143,17],"tags":[29747,25017,32980,26941,32981,17147,32856,32855,30835,5155,32979,32611,32940,30834],"reaction":[],"class_list":{"0":"post-150874","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-featured","8":"category-news","9":"category-read","10":"category-reviews","11":"tag-amazon-prime-video","12":"tag-ashley-thomas","13":"tag-david-matthews","14":"tag-deborah-ayorinde","15":"tag-don-kurt","16":"tag-lena-waithe","17":"tag-little-marvin","18":"tag-melody-hurd","19":"tag-miri-yoon","20":"tag-roy-lee","21":"tag-shahadi-wright","22":"tag-sxsw-2021-film-festival","23":"tag-them","24":"tag-vertigo-entertainment"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v19.7 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>SXSW 2021: &#039;THEM&#039; Review - blackfilm.com<\/title>\n<meta name=\"description\" content=\"SXSW 2021: &#039;THEM&#039; Review. Executive produced by Little Marvin and Lena Waithe. Premieres on Amazon Prime Video on April 9.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SXSW 2021: &#039;THEM&#039; Review\" \/>\n<meta property=\"og:description\" content=\"SXSW 2021: &#039;THEM&#039; Review. Executive produced by Little Marvin and Lena Waithe. Premieres on Amazon Prime Video on April 9.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/\" \/>\n<meta property=\"og:site_name\" content=\"blackfilm.com\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/blackfilm\" \/>\n<meta property=\"article:published_time\" content=\"2021-03-22T17:24:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-03-23T03:47:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-1-e1616425682467.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"1026\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ellen J. Wanjiru\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:site\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Donna Torrence\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/\"},\"author\":{\"name\":\"Ellen J. Wanjiru\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/person\\\/e7be70c00618699ece1ad16bde10eed2\"},\"headline\":\"SXSW 2021: &#8216;THEM&#8217; Review\",\"datePublished\":\"2021-03-22T17:24:10+00:00\",\"dateModified\":\"2021-03-23T03:47:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/\"},\"wordCount\":469,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/Them-1-e1616425682467.jpeg\",\"keywords\":[\"Amazon Prime Video\",\"Ashley Thomas\",\"David Matthews\",\"Deborah Ayorinde\",\"Don Kurt\",\"Lena Waithe\",\"Little Marvin\",\"Melody Hurd\",\"Miri Yoon\",\"Roy Lee\",\"Shahadi Wright\",\"SXSW 2021 Film Festival\",\"Them\",\"Vertigo Entertainment\"],\"articleSection\":[\"Featured\",\"News\",\"Read\",\"Reviews\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/\",\"name\":\"SXSW 2021: 'THEM' Review - blackfilm.com\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/Them-1-e1616425682467.jpeg\",\"datePublished\":\"2021-03-22T17:24:10+00:00\",\"dateModified\":\"2021-03-23T03:47:43+00:00\",\"description\":\"SXSW 2021: 'THEM' Review. Executive produced by Little Marvin and Lena Waithe. Premieres on Amazon Prime Video on April 9.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/Them-1-e1616425682467.jpeg\",\"contentUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/Them-1-e1616425682467.jpeg\",\"width\":1080,\"height\":1026},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/sxsw-2021-them-review\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"SXSW 2021: &#8216;THEM&#8217; Review\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#website\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\",\"name\":\"blackfilm.com\\\/read\",\"description\":\"Movie, Television, and Theatre News\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\"},\"alternateName\":\"blackfilm.com\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\",\"name\":\"blackfilm.com\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/B-Stamp-White-Blue-with-Logo-scaled.png\",\"contentUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/B-Stamp-White-Blue-with-Logo-scaled.png\",\"width\":2560,\"height\":612,\"caption\":\"blackfilm.com\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/blackfilm\",\"https:\\\/\\\/x.com\\\/blackfilm\",\"https:\\\/\\\/www.instagram.com\\\/blackfilm\\\/\",\"https:\\\/\\\/www.youtube.com\\\/blackfilm\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/person\\\/e7be70c00618699ece1ad16bde10eed2\",\"name\":\"Ellen J. Wanjiru\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d60e2a2af0081e3986ad3414d5909541b2b37e4f7bd9c28b897b80eccc79feb3?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d60e2a2af0081e3986ad3414d5909541b2b37e4f7bd9c28b897b80eccc79feb3?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d60e2a2af0081e3986ad3414d5909541b2b37e4f7bd9c28b897b80eccc79feb3?s=96&d=mm&r=g\",\"caption\":\"Ellen J. Wanjiru\"},\"description\":\"Ellen J. Wanjiru is a media correspondent and staff writer for Blackfilm.com and a freelance creative writer with published poems, reviews and articles in FirstWriter Magazine, Freestyle Vision Magazine, bAwesome.com, Literati Magazine, and Changeupmag.com.\",\"sameAs\":[\"https:\\\/\\\/ellenthagreat.com\\\/\",\"https:\\\/\\\/www.instagram.com\\\/ellenthagreat\\\/\"],\"url\":\"\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"SXSW 2021: 'THEM' Review - blackfilm.com","description":"SXSW 2021: 'THEM' Review. Executive produced by Little Marvin and Lena Waithe. Premieres on Amazon Prime Video on April 9.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/","og_locale":"en_US","og_type":"article","og_title":"SXSW 2021: 'THEM' Review","og_description":"SXSW 2021: 'THEM' Review. Executive produced by Little Marvin and Lena Waithe. Premieres on Amazon Prime Video on April 9.","og_url":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/","og_site_name":"blackfilm.com","article_publisher":"https:\/\/www.facebook.com\/blackfilm","article_published_time":"2021-03-22T17:24:10+00:00","article_modified_time":"2021-03-23T03:47:43+00:00","og_image":[{"width":1080,"height":1026,"url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-1-e1616425682467.jpeg","type":"image\/jpeg"}],"author":"Ellen J. Wanjiru","twitter_card":"summary_large_image","twitter_creator":"@blackfilm","twitter_site":"@blackfilm","twitter_misc":{"Written by":"Donna Torrence","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/#article","isPartOf":{"@id":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/"},"author":{"name":"Ellen J. Wanjiru","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/person\/e7be70c00618699ece1ad16bde10eed2"},"headline":"SXSW 2021: &#8216;THEM&#8217; Review","datePublished":"2021-03-22T17:24:10+00:00","dateModified":"2021-03-23T03:47:43+00:00","mainEntityOfPage":{"@id":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/"},"wordCount":469,"commentCount":0,"publisher":{"@id":"https:\/\/www.blackfilm.com\/read\/#organization"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/#primaryimage"},"thumbnailUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-1-e1616425682467.jpeg","keywords":["Amazon Prime Video","Ashley Thomas","David Matthews","Deborah Ayorinde","Don Kurt","Lena Waithe","Little Marvin","Melody Hurd","Miri Yoon","Roy Lee","Shahadi Wright","SXSW 2021 Film Festival","Them","Vertigo Entertainment"],"articleSection":["Featured","News","Read","Reviews"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/","url":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/","name":"SXSW 2021: 'THEM' Review - blackfilm.com","isPartOf":{"@id":"https:\/\/www.blackfilm.com\/read\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/#primaryimage"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/#primaryimage"},"thumbnailUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-1-e1616425682467.jpeg","datePublished":"2021-03-22T17:24:10+00:00","dateModified":"2021-03-23T03:47:43+00:00","description":"SXSW 2021: 'THEM' Review. Executive produced by Little Marvin and Lena Waithe. Premieres on Amazon Prime Video on April 9.","breadcrumb":{"@id":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/#primaryimage","url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-1-e1616425682467.jpeg","contentUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/03\/Them-1-e1616425682467.jpeg","width":1080,"height":1026},{"@type":"BreadcrumbList","@id":"https:\/\/www.blackfilm.com\/read\/sxsw-2021-them-review\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.blackfilm.com\/read\/"},{"@type":"ListItem","position":2,"name":"SXSW 2021: &#8216;THEM&#8217; Review"}]},{"@type":"WebSite","@id":"https:\/\/www.blackfilm.com\/read\/#website","url":"https:\/\/www.blackfilm.com\/read\/","name":"blackfilm.com\/read","description":"Movie, Television, and Theatre News","publisher":{"@id":"https:\/\/www.blackfilm.com\/read\/#organization"},"alternateName":"blackfilm.com","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.blackfilm.com\/read\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.blackfilm.com\/read\/#organization","name":"blackfilm.com","url":"https:\/\/www.blackfilm.com\/read\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/logo\/image\/","url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/04\/B-Stamp-White-Blue-with-Logo-scaled.png","contentUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/04\/B-Stamp-White-Blue-with-Logo-scaled.png","width":2560,"height":612,"caption":"blackfilm.com"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/blackfilm","https:\/\/x.com\/blackfilm","https:\/\/www.instagram.com\/blackfilm\/","https:\/\/www.youtube.com\/blackfilm"]},{"@type":"Person","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/person\/e7be70c00618699ece1ad16bde10eed2","name":"Ellen J. Wanjiru","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/d60e2a2af0081e3986ad3414d5909541b2b37e4f7bd9c28b897b80eccc79feb3?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d60e2a2af0081e3986ad3414d5909541b2b37e4f7bd9c28b897b80eccc79feb3?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d60e2a2af0081e3986ad3414d5909541b2b37e4f7bd9c28b897b80eccc79feb3?s=96&d=mm&r=g","caption":"Ellen J. Wanjiru"},"description":"Ellen J. Wanjiru is a media correspondent and staff writer for Blackfilm.com and a freelance creative writer with published poems, reviews and articles in FirstWriter Magazine, Freestyle Vision Magazine, bAwesome.com, Literati Magazine, and Changeupmag.com.","sameAs":["https:\/\/ellenthagreat.com\/","https:\/\/www.instagram.com\/ellenthagreat\/"],"url":""}]}},"_links":{"self":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/150874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/comments?post=150874"}],"version-history":[{"count":7,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/150874\/revisions"}],"predecessor-version":[{"id":150921,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/150874\/revisions\/150921"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/media\/150875"}],"wp:attachment":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/media?parent=150874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/categories?post=150874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/tags?post=150874"},{"taxonomy":"reaction","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/reaction?post=150874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}