{"id":152504,"date":"2021-05-11T19:34:59","date_gmt":"2021-05-11T23:34:59","guid":{"rendered":"https:\/\/www.blackfilm.com\/read\/?p=152504"},"modified":"2021-05-11T19:35:02","modified_gmt":"2021-05-11T23:35:02","slug":"director-barry-jenkins-drops-the-gaze-on-twitter","status":"publish","type":"post","link":"https:\/\/www.blackfilm.com\/read\/director-barry-jenkins-drops-the-gaze-on-twitter\/","title":{"rendered":"Director Barry Jenkins Drops \u201cThe Gaze\u201d on Twitter"},"content":{"rendered":"\n<p><strong>Director Barry Jenkins took to <a href=\"https:\/\/twitter.com\/BarryJenkins\/status\/1392147612657090560\" target=\"_blank\" rel=\"noreferrer noopener\">Twitter<\/a> recently to drop an over 50 minute piece comprised of moving portraits of background actors from\u00a0<a href=\"https:\/\/www.blackfilm.com\/read\/2021\/04\/barry-jenkins-the-underground-railroad-drops-official-trailer\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Underground Railroad<\/em>.<\/a> <\/strong><span style=\"color:#ffffff\" class=\"has-inline-color\">Director Barry Jenkins Drops \u201cThe Gaze\u201d on Twitter<\/span><\/p>\n\n\n\n<p>Set to Nicholas Britell\u2019s sweeping score,\u00a0<em>The Gaze<\/em>\u00a0provides a window into the soul of the series and is accompanied by an essay penned by Jenkins. <strong>In Jenkins own words:<\/strong> \u201cWhat flows here is non-narrative. There is no story told. Throughout production, we halted our filming many times for moments like these. Moments where\u2026 standing in the spaces our ancestors stood, we had the feeling of seeing them, truly seeing them and thus, we sought to capture and share that seeing with you.\u201d<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 579 322'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/05\/UGRR_S1_PR_1920x1080_CORASINGLE_thumb.jpeg\" alt=\"Barry Jenkins Drops \u201cThe Gaze\u201d \u2013 Over 50 Minutes of Moving Portraits from \u201cThe Underground Railroad\u201d\" class=\"lazyload wp-image-152506\" width=\"579\" height=\"322\"\/><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Watch <strong>THE GAZE<\/strong> on Vimeo below!<\/h3>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div id=\"g1-fluid-wrapper-counter-1\" class=\"g1-fluid-wrapper \" style=\"width:662px;\" data-g1-fluid-width=\"662\" data-g1-fluid-height=\"372\">\n\t       <div class=\"g1-fluid-wrapper-inner\" style=\"padding-bottom:56.19335347432%;\">\n\t       <iframe class=\"lazyload\"  title=\"The Gaze\" data-src=\"https:\/\/player.vimeo.com\/video\/546795671?dnt=1&amp;app_id=122963\" width=\"662\" height=\"372\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n\t       <\/div>\n\t       <\/div>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Jenkins\u2019 Essay on Vimeo about \u201cThe Gaze:\u201d<\/strong><\/h3>\n\n\n\n<p>In my years of doing interviews and roundtables and Q&amp;A\u2019s for the various films we\u2019ve made, there is one question that recurs. No matter the length of the piece or the tone of the room, eventually, inevitably, I am asked about the white gaze. It wasn\u2019t until a very particular interview regarding The Underground Railroad that the blindspot inherent in that questioning became clear to me: never, in all my years of working or questioning, had I been set upon about the Black gaze; or the gaze distilled.<\/p>\n\n\n\n<p>I don\u2019t remember when we began making the piece you see here. Which is not and should not be considered an episode of The Underground Railroad. It exists apart from that, outside it. Early in production, there was a moment where I looked across the set and what I saw settled me: our background actors, in working with folks like Ms. Wendy and Mr. and Mrs. King \u2013 styled and dressed and made up by Caroline, by Lawrence and Donni \u2013 I looked across the set and realized I was looking at my ancestors, a group of people whose images have been largely lost to the historical record. Without thinking, we paused production on&nbsp;<em>The Underground Railroad<\/em>&nbsp;and instead harnessed our tools to capture portraits of&#8230; them.<\/p>\n\n\n\n<p>What flows here is non-narrative. There is no story told. Throughout production, we halted our filming many times for moments like these. Moments where\u2026 standing in the spaces our ancestors stood, we had the feeling of seeing them, truly seeing them and thus, we sought to capture and share that seeing with you. The artist Kerry James Marshall has a series of paintings of ancestors for whom there is no visual record but for whom he has supplied a visual representation of their person. For me, most inspirationally, &#8220;Scipio Moorehead, Portrait of Himself, 1776.&#8221;<\/p>\n\n\n\n<p>Of the painting, from the Met Breuer exhibit KERRY JAMES MARSHALL: MASTRY \u2013 \u201cIn this painting Marshall created an imagined self-portrait of a real African American artist, Scipio Moorhead, who was active in the 1770s. Few if any images of Moorhead exist in the historical record. Everything we know of his legacy is based on Phillis Wheatley\u2019s first book of poetry, published in 1773 while she was a slave [sic] in Boston. The book\u2019s title page illustration is an engraving of the writer, reportedly modeled on a painting by Moorhead. The engraving remains the only visual proof, however tenuous, of Moorhead\u2019s existence.&#8221;<\/p>\n\n\n\n<p>In the way that Mr. Marshall sought to honor Mr. Moorhead through this imagined physical representation of the artist, we have sought to give embodiment to the souls of our ancestors frozen in the tactful but inadequate descriptor \u201censlaved,\u201d a phrase that speaks only to what was done to them, not to who they were nor what they did. My ancestors \u2013 midwives and blacksmiths, agrarians and healers; builders and spiritualists, yearn\u2019ers and doers \u2013 seen here as embodied by this wonderful cast of principal and background actors, did so very much.<\/p>\n\n\n\n<p>Housekeeping: From end to end what you are hearing here is Nick\u2019s original score. And yet even at fifty minutes, this is barely twenty percent of the score for the show. The same with the images; maybe five of these shots are in the actual show? There are no spoilers here. Other images in this format appear there but not here. All told, we archived four hours of these portraits. They flow in story order, from Georgia to Indiana. NOTE: one of these things, you\u2019ll notice, is not like the others. In the context of the show, its presence will make sense.<\/p>\n\n\n\n<p>A FEW SHOUTOUTS \u2013 None of these shots are planned. Occasionally, when the spirit moved us, we stopped making the planned thing and focused on making THIS thing. So shoutout to my brother James for sure; we had a show to film and yet he never questioned, he brought his best to this. Always. Caroline Eseline. Our costume designer. The majority of the souls you see here are inhabited by background actors. Which meant at any moment, the camera could go from a close-up of number one on the call sheet to\u2026 a portrait of number 500. It did not matter. Every soul needed full embodiment. And every damn time I saw someone and was moved to portraiture, there was no doubt of their readiness. The same goes for Lawrence Davis and his wonderful group of hair stylists. And Doniella Davy and her makeup team. Liz Tan, Spoon, Jesse and the directing team. Alex Bickel. Daniel Morfesis, who cut this and all the teasers that came before. OUR BACKGROUND ACTORS. My most humble thanks.<\/p>\n\n\n\n<p>This is an act of seeing. Of seeing them. And maybe, in a soft-headed way, of opening a portal where THEY may see US, the benefactors of their efforts, of the lives they LIVED.<\/p>\n\n\n\n<p>Much love to you. And so much love to THEM.<\/p>\n\n\n\n<p>-B<\/p>\n\n\n\n<p><strong>About\u00a0<em>The Underground Railroad<\/em><\/strong><br><em>The Underground Railroad<\/em>\u00a0chronicles Cora Randall\u2019s (newcomer Thuso Mbedu) desperate bid for freedom in the antebellum South. After escaping a Georgia plantation for the rumored Underground Railroad, Cora discovers no mere metaphor, but an actual railroad full of engineers and conductors, and a secret network of tracks and tunnels beneath the Southern soil.<br>\u00a0<br>Over the course of her journey, Cora is pursued by Ridgeway (Joel Edgerton), a bounty hunter who is fixated on bringing her back to the plantation she escaped; especially since her mother Mabel is the only one he has never caught.<br>\u00a0<br>As she travels from state to state, Cora contends with the legacy of the mother that left her behind and her own struggles to realize a life she never thought was possible.<br>\u00a0<br><strong><em>The Underground Railroad\u00a0<\/em>stars Thuso Mbedu, Chase W. Dillon and Joel Edgerton. Aaron Pierre, William Jackson Harper, Sheila Atim, Amber Gray, Peter De Jersey, Chukwudi Iwuji, Damon Herriman, Lily Rabe, Irone Singleton, Mychal-Bella Bowman, Marcus &#8220;MJ&#8221; Gladney, Jr., Will Poulter and Peter Mullan round out the cast.<br>\u00a0<br>Barry Jenkins serves as showrunner and directs all ten episodes of the limited series. He executive produces alongside Adele Romanski, Mark Ceryak, Dede Gardner, Jeremy Kleiner, Brad Pitt, Richard Heus, Jacqueline Hoyt and Colson Whitehead.\u00a0<em>The Underground Railroad<\/em>\u00a0is a production of Plan B, Pastel and Big Indie with Amazon Studios.   <\/strong><br>\u00a0<br><strong>Follow\u00a0<em>The Underground Railroad<\/em><\/strong>:<br>Twitter:\u00a0<a href=\"https:\/\/amazonstudios.us20.list-manage.com\/track\/click?u=2b8a2ddeb04022ad7ac9015ee&amp;id=093522482d&amp;e=8c7801b6a7\" target=\"_blank\" rel=\"noreferrer noopener\">@TheUGRailroadTV<\/a><br>Instagram:\u00a0<a href=\"https:\/\/amazonstudios.us20.list-manage.com\/track\/click?u=2b8a2ddeb04022ad7ac9015ee&amp;id=8415a9868b&amp;e=8c7801b6a7\" target=\"_blank\" rel=\"noreferrer noopener\">@TheUGRailroadTV<\/a><br>Facebook:\u00a0<a href=\"https:\/\/amazonstudios.us20.list-manage.com\/track\/click?u=2b8a2ddeb04022ad7ac9015ee&amp;id=24c9626e25&amp;e=8c7801b6a7\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.facebook.com\/TheUGRailroadTV<\/a><br>#TheUndergroundRailroad<\/p>\n\n\n\n<p><span style=\"color:#ffffff\" class=\"has-inline-color\">Director Barry Jenkins Drops \u201cThe Gaze\u201d on Twitter Director Barry Jenkins Drops \u201cThe Gaze\u201d on Twitter<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Director Barry Jenkins took to Twitter recently to drop an over 50 minute piece comprised of moving portraits of background actors from\u00a0The Underground Railroad. Director Barry Jenkins Drops \u201cThe Gaze\u201d on Twitter Set to Nicholas Britell\u2019s sweeping score,\u00a0The Gaze\u00a0provides a window into the soul of the series and is accompanied by an essay penned by [&hellip;] <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.blackfilm.com\/read\/director-barry-jenkins-drops-the-gaze-on-twitter\/\">More<\/a><\/p>\n","protected":false},"author":14,"featured_media":152507,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[145,16,143,23],"tags":[26785,2071,3806,33617,33613,33614],"reaction":[],"class_list":{"0":"post-152504","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-featured","8":"category-news","9":"category-read","10":"category-watch","11":"tag-barry-jenkins","12":"tag-black-film","13":"tag-blackfilm","14":"tag-kerry-james-marshall-mastry","15":"tag-the-gaze","16":"tag-the-underground-railroad-tv-series"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v19.7 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Director Barry Jenkins Drops \u201cThe Gaze\u201d on Twitter - blackfilm.com<\/title>\n<meta name=\"description\" content=\"Director Barry Jenkins Drops \u201cThe Gaze\u201d on Twitter \u2013 Over 50 Minutes of Moving Portraits from \u201cThe Underground Railroad.\u201d Premieres on Prime Video May 14.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.blackfilm.com\/read\/director-barry-jenkins-drops-the-gaze-on-twitter\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Director Barry Jenkins Drops \u201cThe Gaze\u201d on Twitter\" \/>\n<meta property=\"og:description\" content=\"Director Barry Jenkins Drops \u201cThe Gaze\u201d on Twitter \u2013 Over 50 Minutes of Moving Portraits from \u201cThe Underground Railroad.\u201d Premieres on Prime Video May 14.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.blackfilm.com\/read\/director-barry-jenkins-drops-the-gaze-on-twitter\/\" \/>\n<meta property=\"og:site_name\" content=\"blackfilm.com\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/blackfilm\" \/>\n<meta property=\"article:published_time\" content=\"2021-05-11T23:34:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-11T23:35:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-11-at-7.11.05-PM-e1620774904575.png\" \/>\n\t<meta property=\"og:image:width\" content=\"722\" \/>\n\t<meta property=\"og:image:height\" content=\"319\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Ellen J. Wanjiru\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:site\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ellen J. Wanjiru\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/director-barry-jenkins-drops-the-gaze-on-twitter\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/director-barry-jenkins-drops-the-gaze-on-twitter\\\/\"},\"author\":{\"name\":\"Ellen J. 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