{"id":159467,"date":"2022-02-01T18:35:42","date_gmt":"2022-02-01T23:35:42","guid":{"rendered":"https:\/\/www.blackfilm.com\/read\/?p=159467"},"modified":"2022-02-01T18:35:46","modified_gmt":"2022-02-01T23:35:46","slug":"sundance-2022-review-dos-estaciones","status":"publish","type":"post","link":"https:\/\/www.blackfilm.com\/read\/sundance-2022-review-dos-estaciones\/","title":{"rendered":"Sundance 2022 Review: Dos Estaciones"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.blackfilm.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">blackfilm.com<\/a> correspondent <a href=\"https:\/\/www.blackfilm.com\/read\/author\/koku-tona\" target=\"_blank\" rel=\"noreferrer noopener\">Koku Tona<\/a> reviewed Sundance Film Festival favorite &#8216;Dos Estaciones&#8217;. Teresa S\u00e0nchez delivered an incredible performance, and was awarded the World Cinema Dramatic Special Jury Award for Acting. <\/p>\n\n\n\n<p>&#8216;Dos Estaciones&#8217; follows Maria Garcia, the heiress of the tequila factory of the same name, as she struggles to keep business afloat amid foreign investment, a plague on the agave crop, and mounting bills. Set in Jalisco, director Juan Pablo Gonz\u00e1lez captures his homeland beautifully. <\/p>\n\n\n\n<p>Check out the video review!<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div id=\"g1-fluid-wrapper-counter-1\" class=\"g1-fluid-wrapper \" style=\"width:662px;\" data-g1-fluid-width=\"662\" data-g1-fluid-height=\"372\">\n\t       <div class=\"g1-fluid-wrapper-inner\" style=\"padding-bottom:56.19335347432%;\">\n\t       <div class=\"mace-youtube\" data-mace-video=\"https:\/\/www.youtube.com\/embed\/fkp01ATr1To?showinfo=0&#038;rel=1&#038;ytp-pause-overlay=1&#038;autoplay=1&#038;enablejsapi=1\" data-mace-video-thumb=\"https:\/\/img.youtube.com\/vi\/fkp01ATr1To\/hqdefault.jpg\"><div class=\"mace-play-button\"><\/div><\/div>\n\t       <\/div>\n\t       <\/div>\n<\/div><figcaption>Sundance 2022 Review: Dos Estaciones<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">DOS ESTACIONES <\/h4>\n\n\n\n<p><strong>World Cinema Dramatic Special Jury Award: Acting <\/strong> <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-expand=\"600\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1 1'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2022\/02\/world-cinema-dramatic-special-jury-award-acting-teresa-snchez-dos-estaciones_51848801273_o-1024x576.jpg\" alt=\"Sundance 2022 Review: Dos Estaciones\n\" class=\"lazyload wp-image-159471\" \/><\/figure>\n\n\n\n<p>Amid picturesque red dirt, blue sky, and green agave fields stands Dos Estaciones, a once-majestic tequila factory struggling to stay afloat. At the helm of the plant reigns Maria Garcia, heir to the family business and beacon to the townspeople she employs. To help oversee the company\u2019s administration, Maria appoints an eager woman named Rafaela, whose vibrant presence generates much-needed hope in a home thirsty for a miracle. When a persistent plague and an unexpected flood cause irreversible damage, Maria is forced to do everything she can to save her community\u2019s main source of economy and pride. With a camera that floats effortlessly through the hills of Jalisco\u2019s highlands, writer-director Juan Pablo Gonz\u00e1lez reflects on the values of ritual, tradition, and artistry as he lovingly captures the painstaking process of making an artisanal bottle of tequila. But it\u2019s Teresa S\u00e1nchez\u2019s standout performance that radiates the essence of the film: a strong-willed woman refusing to allow the impending loss of her legacy as foreign corporations dominate her industry. (VIA <a href=\"https:\/\/www.sundance.org\" target=\"_blank\" rel=\"noreferrer noopener\">SUNDANCE<\/a>)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">JUAN PABLO GONZ\u00c1LEZ <\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-expand=\"600\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1 1'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2022\/02\/dos-estaciones-director-juan-pablo-gonzlez_51721848062_o-768x1024.jpg\" alt=\"Sundance 2022 Review: Dos Estaciones\n\" class=\"lazyload wp-image-159472\" \/><figcaption>Juan Pablo Gonz\u00e1lez, director of <i>Dos Estaciones<\/i>, an official selection of the World Cinema: Dramatic Competition at the 2022 Sundance Film Festival. Courtesy of Sundance Institute.\r\rAll photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and\/or &#8216;Courtesy of Sundance Institute.&#8217; Unauthorized use, alteration, reproduction or sale of logos and\/or photos is strictly prohibited.<\/figcaption><\/figure>\n\n\n\n<p>Juan Pablo Gonz\u00e1lez is a Mexican film director whose directorial body of work includes The Solitude of Memory, Las Nubes, Caballerango, and Dos Estaciones. Each is set in his hometown of Atotonilco el Alto in Jalisco. His work has been supported by IMCINE, the Venice Biennale, the Sundance Film Festival, the Tribeca Film Festival, FONCA, and the Vilcek Foundation. (VIA SUNDANCE) <\/p>\n\n\n\n<p>Principal Cast <\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Teresa S\u00e1nchez <\/li><li>Rafaela Fuentes <\/li><li>Tat\u00edn Vera <\/li><li>Manuel Garc\u00eda-Rulfo<\/li><\/ul>\n\n\n\n<h4 class=\"has-text-color wp-block-heading\" style=\"color:#ffffff\">Sundance 2022 Review: Dos Estaciones<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>blackfilm.com correspondent Koku Tona reviewed Sundance Film Festival favorite &#8216;Dos Estaciones&#8217;. Teresa S\u00e0nchez delivered an incredible performance, and was awarded the World Cinema Dramatic Special Jury Award for Acting. &#8216;Dos Estaciones&#8217; follows Maria Garcia, the heiress of the tequila factory of the same name, as she struggles to keep business afloat amid foreign investment, a [&hellip;] <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.blackfilm.com\/read\/sundance-2022-review-dos-estaciones\/\">More<\/a><\/p>\n","protected":false},"author":17,"featured_media":159470,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27144,145,19,17,142,23],"tags":[36135,4502,2405,27223,6568,2071,3806,2394,36127,36125,36134,36133,36129,30151,36130,36126,6295,3816,35992,1800,32300,36131,36132,36124,8488,36128],"reaction":[],"class_list":{"0":"post-159467","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exclusives","8":"category-featured","9":"category-features","10":"category-reviews","11":"category-videos","12":"category-watch","13":"tag-agave","14":"tag-black-actor","15":"tag-black-actors","16":"tag-black-actress","17":"tag-black-actresses","18":"tag-black-film","19":"tag-blackfilm","20":"tag-blackfilm-com","21":"tag-caballerango","22":"tag-dos-estaciones","23":"tag-fonca","24":"tag-jalisco","25":"tag-juan-pablo-gonzalez","26":"tag-koku-tona","27":"tag-las-nubes","28":"tag-maria-garcia","29":"tag-mexico","30":"tag-sundance","31":"tag-sundance-2022","32":"tag-sundance-film-festival","33":"tag-sundance-reviews","34":"tag-tequila","35":"tag-teresa-sanchez","36":"tag-the-solitude-of-memory","37":"tag-the-tribeca-film-festival","38":"tag-vilcek-foundation"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v19.7 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Sundance 2022 Review: Dos Estaciones - blackfilm.com<\/title>\n<meta name=\"description\" content=\"Sundance 2022 Review: Dos Estaciones by blackfilm.com correspondent Koku Tona. 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The film was in the World Dramatic Competiton category & won!","breadcrumb":{"@id":"https:\/\/www.blackfilm.com\/read\/sundance-2022-review-dos-estaciones\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.blackfilm.com\/read\/sundance-2022-review-dos-estaciones\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/sundance-2022-review-dos-estaciones\/#primaryimage","url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2022\/02\/dos-estaciones-still-1_51723535500_o.jpg","contentUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2022\/02\/dos-estaciones-still-1_51723535500_o.jpg","width":2560,"height":1440,"caption":"Teresa S\u00e1nchez and Tat\u00edn Vera appear in Dos Estaciones by Juan Pablo Gonz\u00e1lez, an official selection of the World Cinema: Dramatic Competition at the 2022 Sundance Film Festival. Courtesy of Sundance Institute | photo by Gerardo Guerra. 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