{"id":166230,"date":"2026-02-25T18:00:00","date_gmt":"2026-02-25T23:00:00","guid":{"rendered":"https:\/\/www.blackfilm.com\/read\/?p=166230"},"modified":"2026-04-02T20:12:52","modified_gmt":"2026-04-03T00:12:52","slug":"nathalie-pitters-how-to-get-to-heaven-from-belfast-interview","status":"publish","type":"post","link":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/","title":{"rendered":"Cinematographer Nathalie Pitters on Crafting Visual Storytelling in “How to Get to Heaven from Belfast” | blackfilm.com Interview"},"content":{"rendered":"\n

In a captivating interview with blackfilm.com correspondent Ro Carter<\/strong>, acclaimed cinematographer Nathalie Pitters<\/strong> opens up about her creative journey behind the lens of Netflix\u2019s hit dark comedy-thriller How to Get to Heaven from Belfast<\/em>.<\/p>\n\n\n\n

During the conversation, Pitters reflects on how her background in visual arts and photography informs her work in motion pictures. She explains that what drew her to the project wasn\u2019t just the compelling narrative \u2014 it was the emotional depth of the characters and the opportunity to visually translate their complex inner lives to the screen. Pitters emphasizes the importance of synergy between director, actors, and crew, describing cinematography as \u201ca collaborative form of visual storytelling\u201d that thrives on trust and mutual creativity.<\/p>\n\n\n\n

\n
\n\t
\n\t
<\/div><\/div>\n\t <\/div>\n\t <\/div>\n<\/div><\/figure>\n\n\n\n

She also talks about the challenges and rewards of filming in multiple Irish locations \u2014 from urban Belfast to rugged coastal landscapes \u2014 and how natural environments influenced the series\u2019 tone and aesthetic. Pitters shares how light, color, and rhythm play key roles in shaping mood and tension, blurring the line between comedy and suspense.<\/p>\n\n\n\n

Throughout the interview, Ro Carter and Nathalie Pitters explore how embracing personal experience can elevate cinematography, making the visuals feel \u201clived in\u201d and emotionally resonant. Pitters also highlights the importance of supporting diverse voices in film production and the influence of community on creative expression.<\/p>\n\n\n\n

\n
\"\"
Nathalie Pitters – Courtesy of Netflix<\/figcaption><\/figure>\n\n\n\n
\"\"
Nathalie Pitters – Courtesy of Netflix<\/figcaption><\/figure>\n\n\n\n
\"\"
Nathalie Pitters – Courtesy of Netflix<\/figcaption><\/figure>\n\n\n\n
\"\"
Nathalie Pitters – Courtesy of Netflix<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Show Synopsis:\u00a0<\/strong>How to Get to Heaven from Belfast<\/h3>\n\n\n\n

How to Get to Heaven from Belfast<\/em> is an Irish dark comedy-crime thriller series created by Lisa McGee<\/strong>, best known for the hit Derry Girls<\/em>. The series premiered on Netflix<\/strong> on February 12, 2026<\/strong> and quickly gained acclaim for its blend of sharp wit, mystery, and heartfelt storytelling.<\/p>\n\n\n\n

The show centers on three lifelong friends \u2014 Saoirse, Robyn, and Dara \u2014 whose lives are upended when they receive news that their estranged fourth friend has died under mysterious circumstances. What appears to be a simple trip to a wake turns into something far more complicated as odd events unfold, long-buried secrets reemerge, and the trio embark on an unpredictable odyssey across Ireland searching for the truth.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

RELATED:<\/strong> Rewind with Ro \u2013 Season 3 \u2013 Episode 6 \u201cORIGIN\u201d<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

In a captivating interview with blackfilm.com correspondent Ro Carter, acclaimed cinematographer Nathalie Pitters opens up about her creative journey behind the lens of Netflix\u2019s hit dark comedy-thriller How to Get to Heaven from Belfast. During the conversation, Pitters reflects on how her background in visual arts and photography informs her work in motion pictures. She […] More<\/a><\/p>\n","protected":false},"author":10,"featured_media":166232,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[145,18,16],"tags":[38151,38152,11934],"reaction":[],"class_list":{"0":"post-166230","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-featured","8":"category-interviews","9":"category-news","10":"tag-how-to-get-to-heaven-from-belfast","11":"tag-nathalie-pitters","12":"tag-netflix"},"yoast_head":"\nCinematographer Nathalie Pitters on Crafting Visual Storytelling in "How to Get to Heaven from Belfast" | blackfilm.com Interview - blackfilm.com<\/title>\n<meta name=\"description\" content=\"Nathalie Pitters discusses her work on How to Get to Heaven from Belfast and the visual style behind the Netflix series.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cinematographer Nathalie Pitters on Crafting Visual Storytelling in "How to Get to Heaven from Belfast" | blackfilm.com Interview\" \/>\n<meta property=\"og:description\" content=\"Nathalie Pitters discusses her work on How to Get to Heaven from Belfast and the visual style behind the Netflix series.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/\" \/>\n<meta property=\"og:site_name\" content=\"blackfilm.com\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/blackfilm\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-25T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-03T00:12:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/02\/Nathalie-Pitteres-Interview.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Rob Smith\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:site\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rob Smith\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/\"},\"author\":{\"name\":\"Rob Smith\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/person\\\/79e7dff231e932fd1030b54385bd09e2\"},\"headline\":\"Cinematographer Nathalie Pitters on Crafting Visual Storytelling in “How to Get to Heaven from Belfast” | blackfilm.com Interview\",\"datePublished\":\"2026-02-25T23:00:00+00:00\",\"dateModified\":\"2026-04-03T00:12:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/\"},\"wordCount\":393,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/Nathalie-Pitteres-Interview.jpg\",\"keywords\":[\"How to Get to Heaven from Belfast\",\"Nathalie Pitters\",\"Netflix\"],\"articleSection\":[\"Featured\",\"Interviews\",\"News\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/\",\"name\":\"Cinematographer Nathalie Pitters on Crafting Visual Storytelling in \\\"How to Get to Heaven from Belfast\\\" | blackfilm.com Interview - blackfilm.com\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/Nathalie-Pitteres-Interview.jpg\",\"datePublished\":\"2026-02-25T23:00:00+00:00\",\"dateModified\":\"2026-04-03T00:12:52+00:00\",\"description\":\"Nathalie Pitters discusses her work on How to Get to Heaven from Belfast and the visual style behind the Netflix series.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/Nathalie-Pitteres-Interview.jpg\",\"contentUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/Nathalie-Pitteres-Interview.jpg\",\"width\":2560,\"height\":1440,\"caption\":\"Nathalie Pitters Interview\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cinematographer Nathalie Pitters on Crafting Visual Storytelling in “How to Get to Heaven from Belfast” | blackfilm.com Interview\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#website\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\",\"name\":\"blackfilm.com\\\/read\",\"description\":\"Movie, Television, and Theatre News\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\"},\"alternateName\":\"blackfilm.com\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\",\"name\":\"blackfilm.com\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/B-Stamp-White-Blue-with-Logo-scaled.png\",\"contentUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/B-Stamp-White-Blue-with-Logo-scaled.png\",\"width\":2560,\"height\":612,\"caption\":\"blackfilm.com\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/blackfilm\",\"https:\\\/\\\/x.com\\\/blackfilm\",\"https:\\\/\\\/www.instagram.com\\\/blackfilm\\\/\",\"https:\\\/\\\/www.youtube.com\\\/blackfilm\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/person\\\/79e7dff231e932fd1030b54385bd09e2\",\"name\":\"Rob Smith\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/dea5a9b4eb09257227a707318629b75cd8f40e02d3cfbef3b5214e0aab144a63?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/dea5a9b4eb09257227a707318629b75cd8f40e02d3cfbef3b5214e0aab144a63?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/dea5a9b4eb09257227a707318629b75cd8f40e02d3cfbef3b5214e0aab144a63?s=96&d=mm&r=g\",\"caption\":\"Rob Smith\"},\"birthDate\":\"1979-02-17\",\"gender\":\"male\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/author\\\/robertsmith\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Cinematographer Nathalie Pitters on Crafting Visual Storytelling in \"How to Get to Heaven from Belfast\" | blackfilm.com Interview - blackfilm.com","description":"Nathalie Pitters discusses her work on How to Get to Heaven from Belfast and the visual style behind the Netflix series.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/","og_locale":"en_US","og_type":"article","og_title":"Cinematographer Nathalie Pitters on Crafting Visual Storytelling in \"How to Get to Heaven from Belfast\" | blackfilm.com Interview","og_description":"Nathalie Pitters discusses her work on How to Get to Heaven from Belfast and the visual style behind the Netflix series.","og_url":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/","og_site_name":"blackfilm.com","article_publisher":"https:\/\/www.facebook.com\/blackfilm","article_published_time":"2026-02-25T23:00:00+00:00","article_modified_time":"2026-04-03T00:12:52+00:00","og_image":[{"width":2560,"height":1440,"url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/02\/Nathalie-Pitteres-Interview.jpg","type":"image\/jpeg"}],"author":"Rob Smith","twitter_card":"summary_large_image","twitter_creator":"@blackfilm","twitter_site":"@blackfilm","twitter_misc":{"Written by":"Rob Smith","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/#article","isPartOf":{"@id":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/"},"author":{"name":"Rob Smith","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/person\/79e7dff231e932fd1030b54385bd09e2"},"headline":"Cinematographer Nathalie Pitters on Crafting Visual Storytelling in “How to Get to Heaven from Belfast” | blackfilm.com Interview","datePublished":"2026-02-25T23:00:00+00:00","dateModified":"2026-04-03T00:12:52+00:00","mainEntityOfPage":{"@id":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/"},"wordCount":393,"commentCount":0,"publisher":{"@id":"https:\/\/www.blackfilm.com\/read\/#organization"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/#primaryimage"},"thumbnailUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/02\/Nathalie-Pitteres-Interview.jpg","keywords":["How to Get to Heaven from Belfast","Nathalie Pitters","Netflix"],"articleSection":["Featured","Interviews","News"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/","url":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/","name":"Cinematographer Nathalie Pitters on Crafting Visual Storytelling in \"How to Get to Heaven from Belfast\" | blackfilm.com Interview - blackfilm.com","isPartOf":{"@id":"https:\/\/www.blackfilm.com\/read\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/#primaryimage"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/#primaryimage"},"thumbnailUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/02\/Nathalie-Pitteres-Interview.jpg","datePublished":"2026-02-25T23:00:00+00:00","dateModified":"2026-04-03T00:12:52+00:00","description":"Nathalie Pitters discusses her work on How to Get to Heaven from Belfast and the visual style behind the Netflix series.","breadcrumb":{"@id":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/#primaryimage","url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/02\/Nathalie-Pitteres-Interview.jpg","contentUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/02\/Nathalie-Pitteres-Interview.jpg","width":2560,"height":1440,"caption":"Nathalie Pitters Interview"},{"@type":"BreadcrumbList","@id":"https:\/\/www.blackfilm.com\/read\/nathalie-pitters-how-to-get-to-heaven-from-belfast-interview\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.blackfilm.com\/read\/"},{"@type":"ListItem","position":2,"name":"Cinematographer Nathalie Pitters on Crafting Visual Storytelling in “How to Get to Heaven from Belfast” | blackfilm.com Interview"}]},{"@type":"WebSite","@id":"https:\/\/www.blackfilm.com\/read\/#website","url":"https:\/\/www.blackfilm.com\/read\/","name":"blackfilm.com\/read","description":"Movie, Television, and Theatre News","publisher":{"@id":"https:\/\/www.blackfilm.com\/read\/#organization"},"alternateName":"blackfilm.com","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.blackfilm.com\/read\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.blackfilm.com\/read\/#organization","name":"blackfilm.com","url":"https:\/\/www.blackfilm.com\/read\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/logo\/image\/","url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/04\/B-Stamp-White-Blue-with-Logo-scaled.png","contentUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/04\/B-Stamp-White-Blue-with-Logo-scaled.png","width":2560,"height":612,"caption":"blackfilm.com"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/blackfilm","https:\/\/x.com\/blackfilm","https:\/\/www.instagram.com\/blackfilm\/","https:\/\/www.youtube.com\/blackfilm"]},{"@type":"Person","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/person\/79e7dff231e932fd1030b54385bd09e2","name":"Rob Smith","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/dea5a9b4eb09257227a707318629b75cd8f40e02d3cfbef3b5214e0aab144a63?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/dea5a9b4eb09257227a707318629b75cd8f40e02d3cfbef3b5214e0aab144a63?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/dea5a9b4eb09257227a707318629b75cd8f40e02d3cfbef3b5214e0aab144a63?s=96&d=mm&r=g","caption":"Rob Smith"},"birthDate":"1979-02-17","gender":"male","url":"https:\/\/www.blackfilm.com\/read\/author\/robertsmith\/"}]}},"_links":{"self":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/166230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/comments?post=166230"}],"version-history":[{"count":2,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/166230\/revisions"}],"predecessor-version":[{"id":166240,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/166230\/revisions\/166240"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/media\/166232"}],"wp:attachment":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/media?parent=166230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/categories?post=166230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/tags?post=166230"},{"taxonomy":"reaction","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/reaction?post=166230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}