{"id":60075,"date":"2011-03-30T15:14:15","date_gmt":"2011-03-30T15:14:15","guid":{"rendered":"https:\/\/0de2709a84.nxcli.net\/0-kjasnb\/2011\/03\/30\/source-code-jeffrey-wright-interview\/"},"modified":"2018-12-18T11:56:12","modified_gmt":"2018-12-18T11:56:12","slug":"source-code-jeffrey-wright-interview","status":"publish","type":"post","link":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/","title":{"rendered":"Source Code\/ Jeffrey Wright Interview"},"content":{"rendered":"<p><strong>Source CodeAn Interview with Jeffrey Wright<\/strong><br \/>\nby Wilson Morales<\/p>\n<p>March 30, 2011<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" data-expand=\"600\" class=\"lazyload aligncenter\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1 1'%2F%3E\" data-src=\"https:\/\/www.blogcdn.com\/www.bvonmovies.com\/media\/2011\/03\/jeffrey-2a.jpg\" border=\"1\" alt=\"\" hspace=\"4\" vspace=\"4\" \/><\/p>\n<p>From playing James Bond&#8217;s colleague Felix Leiter, to portraying  real-life figures (Jean Michel Basquiat, Muhammad Ali&#8217;s biographer  Howard Bingham, Dr. Martin Luther King, Jr., General Colin Powell, Muddy  Waters), <strong>Jeffrey Wright<\/strong>&#8216;s film roles are always set in different places and different time periods.<\/p>\n<p>In his latest film, <strong>&#8216;Source Code,&#8217; <\/strong>the Washington D.C native gets to work in a project that involves time travel.<\/p>\n<p>When decorated soldier Captain Colter Stevens (played by <strong>Jake Gyllenhaal<\/strong>)  wakes up in the body of an unknown man, he discovers he&#8217;s part of a  mission to find the bomber of a Chicago commuter train. In an assignment  unlike any he&#8217;s ever known, he learns he&#8217;s part of a government  experiment called the &#8216;Source Code,&#8217; a program that enables him to cross  over into another man&#8217;s identity in the last 8 minutes of his life.  With a second, much larger target threatening to kill millions in  downtown Chicago, Colter re-lives the incident over and over again,  gathering clues each time, until he can solve the mystery of who is  behind the bombs and prevent the next attack.<\/p>\n<p>In speaking with <strong>BlackVoices.com<\/strong>, Wright says the opportunity to work with director <strong>Duncan Jones<\/strong> was part of the attraction to taking on the project.<br \/>\n<img decoding=\"async\" data-expand=\"600\" class=\"lazyload\" id=\"vimage_4013994\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1 1'%2F%3E\" data-src=\"https:\/\/www.blogcdn.com\/www.bvonmovies.com\/media\/2011\/03\/source-code-4a.jpg\" border=\"1\" alt=\"\" hspace=\"4\" vspace=\"4\" align=\"left\" \/><\/p>\n<p>&#8220;Duncan Jones&#8217; first film &#8216;Moon&#8217; handled technology and science fiction  ideas in a really fresh way, I thought. So I was attracted to the idea  of working with him. I was attracted to working with him on this  because, obviously, there were some of the same types of themes and  conventions at work in this script, as well. It gives you a lot of room  to play and it&#8217;s are exciting. The technology that he is actually  touching on certain thinking that&#8217;s going on now in the world of quantum  physics and in the world of quantum mechanics. It&#8217;s a good fertile for a  sci-fi thriller.<\/p>\n<p>Unlike his co-star Gyllenhaal, whose character has to relive the same  scene over and over until his mission is accomplished, Wright&#8217;s role has  him overseering it from the compound. In fact, he hardly had any scenes  with the actor.<br \/>\n<img decoding=\"async\" data-expand=\"600\" class=\"lazyload\" id=\"vimage_4014047\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1 1'%2F%3E\" data-src=\"https:\/\/www.blogcdn.com\/www.bvonmovies.com\/media\/2011\/03\/jeffrey-and-jake-1a.jpg\" border=\"1\" alt=\"\" hspace=\"4\" vspace=\"4\" align=\"right\" \/><\/p>\n<p>&#8220;My character is very much a bit of a self-obsessed kind of tinkerer.  High tech tinkerer. And I have to say he&#8217;s a guy who is not the most  socially adept guy in the room. So I had a good time exploring his  obsession and his awkwardness. I worked with an image of Jake&#8217;s  character or the idea of him because we communicate with him through the  pictures, the aperture of a camera lens. So that actually yielded an  interesting perspective on his performance which I think is wonderfully  sympathetic and charismatic. And so if Jake was around, but I only  worked with the idea of him and both the guy in person and the idea of  him are good. And I enjoyed my encounter with both versions of Jake.<\/p>\n<p>Besides doing theater, films, and raising a family with his wife, actress <strong>Carmen Ejojo<\/strong>, Wright has found some time to chair his non-profit organization, the <strong>Taia Peace Foundation<\/strong>.<\/p>\n<p>&#8220;The Taia Peace Foundation is a group that&#8217;s been focused on economic  development initiatives in Sierra Leone. It is the corporate social  responsibility for our company. Taia Lion, as in the cat, Taia Lion. We  just traveled to Sierra Leone last month to celebrate the foundation&#8217;s  largest project to date, which was the rehabilitation of an eighteen  mile farm to market road in serving one of the remotest corners of the  country. What we&#8217;re attempting to do is combine the ideas of commercial  endeavors with philanthropic sensibilities. So that we create an engine  for economic growth within the areas of operation and also,  simultaneous, create sustainability for our social endeavors, as well.  We&#8217;re trying to veer away from of the historic trends in Africa of an  absence of or a neglect of local community needs when tied to commercial  activity. At the same time we&#8217;re veering away from this perception that  charity, in and of itself, is a viable solution to some of the  challenges that face the continent. The website is <a href=\"https:\/\/www.taiapeace.org\/\">www.taiapeace.org<\/a>.<\/p>\n<p>Wright&#8217;s next film projects has  him working an old colleague and a three-time Academy Award nominated and Tony  Award winning director.<\/p>\n<p>&#8220;I just recently finished  shooting<strong> &#8216;Ides of March&#8217; <\/strong>in which I played a senator with presidential  aspirations. That was directed by <strong>George Clooney<\/strong>, who also stars in it. And I am  now on my way to begin my first day, in fact my first scene, of <strong>&#8216;Extremely Loud  and Incredibly Close&#8217;<\/strong> which will be directed by <strong>Stephen Daldry<\/strong>. It&#8217;s based on a  novel. I play a gentleman named William Black who helps a young boy who has lost  his father in 9\/11 discover some secrets that he&#8217;s trying to unravel. I&#8217;m  shooting that in New York.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Source CodeAn Interview with Jeffrey Wright by Wilson Morales March 30, 2011 From playing James Bond&#8217;s colleague Felix Leiter, to portraying real-life figures (Jean Michel Basquiat, Muhammad Ali&#8217;s biographer Howard Bingham, Dr. Martin Luther King, Jr., General Colin Powell, Muddy Waters), Jeffrey Wright&#8216;s film roles are always set in different places and different time periods. [&hellip;] <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/\">More<\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,143],"tags":[1551,3024,3025,1038,3026,1039,3027,1555,3028,3029],"reaction":[],"class_list":{"0":"post-60075","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-interviews","7":"category-read","8":"tag-extremely-loud-and-incredibly-close","9":"tag-george-clooney","10":"tag-ides-of-march","11":"tag-jeffrey-wright","12":"tag-jeffreywright","13":"tag-source-code","14":"tag-sourcecode","15":"tag-stephen-daldry","16":"tag-taia-peace-foundation","17":"tag-taiapeacefoundation"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v19.7 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Source Code\/ Jeffrey Wright Interview - blackfilm.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Source Code\/ Jeffrey Wright Interview\" \/>\n<meta property=\"og:description\" content=\"Source CodeAn Interview with Jeffrey Wright by Wilson Morales March 30, 2011 From playing James Bond&#8217;s colleague Felix Leiter, to portraying real-life figures (Jean Michel Basquiat, Muhammad Ali&#8217;s biographer Howard Bingham, Dr. Martin Luther King, Jr., General Colin Powell, Muddy Waters), Jeffrey Wright&#8216;s film roles are always set in different places and different time periods. [&hellip;] More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/\" \/>\n<meta property=\"og:site_name\" content=\"blackfilm.com\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/blackfilm\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/blackfilm\" \/>\n<meta property=\"article:published_time\" content=\"2011-03-30T15:14:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-12-18T11:56:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.blogcdn.com\/www.bvonmovies.com\/media\/2011\/03\/jeffrey-2a.jpg\" \/>\n<meta name=\"author\" content=\"Guest Writer\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:site\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Guest Writer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/\"},\"author\":{\"name\":\"Guest Writer\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/person\\\/031e5b3b0b6f6a7121aa3561bc66edb9\"},\"headline\":\"Source Code\\\/ Jeffrey Wright Interview\",\"datePublished\":\"2011-03-30T15:14:15+00:00\",\"dateModified\":\"2018-12-18T11:56:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/\"},\"wordCount\":836,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.blogcdn.com\\\/www.bvonmovies.com\\\/media\\\/2011\\\/03\\\/jeffrey-2a.jpg\",\"keywords\":[\"Extremely Loud and Incredibly Close\",\"George Clooney\",\"Ides of March\",\"Jeffrey Wright\",\"JeffreyWright\",\"Source Code\",\"SourceCode\",\"Stephen Daldry\",\"Taia Peace Foundation\",\"TaiaPeaceFoundation\"],\"articleSection\":[\"Interviews\",\"Read\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/\",\"name\":\"Source Code\\\/ Jeffrey Wright Interview - blackfilm.com\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.blogcdn.com\\\/www.bvonmovies.com\\\/media\\\/2011\\\/03\\\/jeffrey-2a.jpg\",\"datePublished\":\"2011-03-30T15:14:15+00:00\",\"dateModified\":\"2018-12-18T11:56:12+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.blogcdn.com\\\/www.bvonmovies.com\\\/media\\\/2011\\\/03\\\/jeffrey-2a.jpg\",\"contentUrl\":\"https:\\\/\\\/www.blogcdn.com\\\/www.bvonmovies.com\\\/media\\\/2011\\\/03\\\/jeffrey-2a.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/source-code-jeffrey-wright-interview\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Source Code\\\/ Jeffrey Wright Interview\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#website\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\",\"name\":\"blackfilm.com\\\/read\",\"description\":\"Movie, Television, and Theatre News\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\"},\"alternateName\":\"blackfilm.com\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\",\"name\":\"blackfilm.com\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/B-Stamp-White-Blue-with-Logo-scaled.png\",\"contentUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/B-Stamp-White-Blue-with-Logo-scaled.png\",\"width\":2560,\"height\":612,\"caption\":\"blackfilm.com\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/blackfilm\",\"https:\\\/\\\/x.com\\\/blackfilm\",\"https:\\\/\\\/www.instagram.com\\\/blackfilm\\\/\",\"https:\\\/\\\/www.youtube.com\\\/blackfilm\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/person\\\/031e5b3b0b6f6a7121aa3561bc66edb9\",\"name\":\"Guest Writer\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g\",\"caption\":\"Guest Writer\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/blackfilm\",\"https:\\\/\\\/x.com\\\/blackfilm\"],\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/author\\\/wilsonmorales\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Source Code\/ Jeffrey Wright Interview - blackfilm.com","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/","og_locale":"en_US","og_type":"article","og_title":"Source Code\/ Jeffrey Wright Interview","og_description":"Source CodeAn Interview with Jeffrey Wright by Wilson Morales March 30, 2011 From playing James Bond&#8217;s colleague Felix Leiter, to portraying real-life figures (Jean Michel Basquiat, Muhammad Ali&#8217;s biographer Howard Bingham, Dr. Martin Luther King, Jr., General Colin Powell, Muddy Waters), Jeffrey Wright&#8216;s film roles are always set in different places and different time periods. [&hellip;] More","og_url":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/","og_site_name":"blackfilm.com","article_publisher":"https:\/\/www.facebook.com\/blackfilm","article_author":"https:\/\/www.facebook.com\/blackfilm","article_published_time":"2011-03-30T15:14:15+00:00","article_modified_time":"2018-12-18T11:56:12+00:00","og_image":[{"url":"https:\/\/www.blogcdn.com\/www.bvonmovies.com\/media\/2011\/03\/jeffrey-2a.jpg","type":"","width":"","height":""}],"author":"Guest Writer","twitter_card":"summary_large_image","twitter_creator":"@blackfilm","twitter_site":"@blackfilm","twitter_misc":{"Written by":"Guest Writer","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/#article","isPartOf":{"@id":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/"},"author":{"name":"Guest Writer","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/person\/031e5b3b0b6f6a7121aa3561bc66edb9"},"headline":"Source Code\/ Jeffrey Wright Interview","datePublished":"2011-03-30T15:14:15+00:00","dateModified":"2018-12-18T11:56:12+00:00","mainEntityOfPage":{"@id":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/"},"wordCount":836,"commentCount":0,"publisher":{"@id":"https:\/\/www.blackfilm.com\/read\/#organization"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/#primaryimage"},"thumbnailUrl":"https:\/\/www.blogcdn.com\/www.bvonmovies.com\/media\/2011\/03\/jeffrey-2a.jpg","keywords":["Extremely Loud and Incredibly Close","George Clooney","Ides of March","Jeffrey Wright","JeffreyWright","Source Code","SourceCode","Stephen Daldry","Taia Peace Foundation","TaiaPeaceFoundation"],"articleSection":["Interviews","Read"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/","url":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/","name":"Source Code\/ Jeffrey Wright Interview - blackfilm.com","isPartOf":{"@id":"https:\/\/www.blackfilm.com\/read\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/#primaryimage"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/#primaryimage"},"thumbnailUrl":"https:\/\/www.blogcdn.com\/www.bvonmovies.com\/media\/2011\/03\/jeffrey-2a.jpg","datePublished":"2011-03-30T15:14:15+00:00","dateModified":"2018-12-18T11:56:12+00:00","breadcrumb":{"@id":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/#primaryimage","url":"https:\/\/www.blogcdn.com\/www.bvonmovies.com\/media\/2011\/03\/jeffrey-2a.jpg","contentUrl":"https:\/\/www.blogcdn.com\/www.bvonmovies.com\/media\/2011\/03\/jeffrey-2a.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.blackfilm.com\/read\/source-code-jeffrey-wright-interview\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.blackfilm.com\/read\/"},{"@type":"ListItem","position":2,"name":"Source Code\/ Jeffrey Wright Interview"}]},{"@type":"WebSite","@id":"https:\/\/www.blackfilm.com\/read\/#website","url":"https:\/\/www.blackfilm.com\/read\/","name":"blackfilm.com\/read","description":"Movie, Television, and Theatre News","publisher":{"@id":"https:\/\/www.blackfilm.com\/read\/#organization"},"alternateName":"blackfilm.com","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.blackfilm.com\/read\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.blackfilm.com\/read\/#organization","name":"blackfilm.com","url":"https:\/\/www.blackfilm.com\/read\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/logo\/image\/","url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/04\/B-Stamp-White-Blue-with-Logo-scaled.png","contentUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/04\/B-Stamp-White-Blue-with-Logo-scaled.png","width":2560,"height":612,"caption":"blackfilm.com"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/blackfilm","https:\/\/x.com\/blackfilm","https:\/\/www.instagram.com\/blackfilm\/","https:\/\/www.youtube.com\/blackfilm"]},{"@type":"Person","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/person\/031e5b3b0b6f6a7121aa3561bc66edb9","name":"Guest Writer","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g","caption":"Guest Writer"},"sameAs":["https:\/\/www.facebook.com\/blackfilm","https:\/\/x.com\/blackfilm"],"url":"https:\/\/www.blackfilm.com\/read\/author\/wilsonmorales\/"}]}},"_links":{"self":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/60075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/comments?post=60075"}],"version-history":[{"count":1,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/60075\/revisions"}],"predecessor-version":[{"id":126447,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/60075\/revisions\/126447"}],"wp:attachment":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/media?parent=60075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/categories?post=60075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/tags?post=60075"},{"taxonomy":"reaction","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/reaction?post=60075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}