{"id":64793,"date":"2013-02-08T17:23:13","date_gmt":"2013-02-08T17:23:13","guid":{"rendered":"https:\/\/0de2709a84.nxcli.net\/0-kjasnb\/2013\/02\/08\/first-look-at-ava-duvernay-short-the-door\/"},"modified":"2018-12-18T09:39:07","modified_gmt":"2018-12-18T09:39:07","slug":"first-look-at-ava-duvernay-short-the-door","status":"publish","type":"post","link":"https:\/\/www.blackfilm.com\/read\/first-look-at-ava-duvernay-short-the-door\/","title":{"rendered":"Watch Gabrielle Union, Emayatzy Corinealdi, Alfre Woodard, Goapele and Adepero Oduye in Ava DuVernay&#8217;s short &#8216;The Door&#8217;"},"content":{"rendered":"<p><strong>First look at Gabrielle Union, Emayatzy Corinealdi, Alfre Woodard, Goapele and Adepero Oduye in Ava DuVernay&#8217;s short &#8216;The Door&#8217;<\/strong>Posted by Wilson Morales<\/p>\n<p>February 8, 2013<\/p>\n<p><strong>Update as August 13<\/strong> &#8211; Ava DuVernay\u2019s short The Door to play at The  Venice Days, as part of  its Women\u2019s Tales sidebar. Venice Days is a  separate festival within the Venice Film Festival, running from August  28-September 7.<\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/Ava-DuVernay-pic-1.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload aligncenter size-full wp-image-34955\" title=\"Ava DuVernay pic 1\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 580 387'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/Ava-DuVernay-pic-1.jpg\" alt=\"\" width=\"580\" height=\"387\" \/><\/a><\/p>\n<p>Here are the first looks at <strong>Gabrielle Union, Emayatzy Corinealdi<\/strong>, <strong>Alfre Woodard, Goapele<\/strong> and <strong>Adepero Oduye<\/strong> in <strong>Ava DuVernay<\/strong>&#8216;s short film <strong>&#8216;The Door&#8217;<\/strong> , which is schedule to premiere digitally on February 11 on <strong><a href=\"https:\/\/www.miumiu.com\">miumiu.com<\/a><\/strong>.<\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/The-Door-7.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-34949\" title=\"The Door 7\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 200'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/The-Door-7-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/a><\/p>\n<p>DuVernay is the latest director to collaborate with <strong>Miu Miu<\/strong> on its Women\u2019s Tales film series.<\/p>\n<p>An exploration of the female journey, friendship and perserverence, The Door is the fifth in the series that interprets the way women view the world and fashion with a political slant. The cast includes<strong> Gabrielle Union, Alfre Woodard, Goapele, Emayatzy Corinealdi<\/strong>, and<strong> Adepero Oduye<\/strong>. The film \u2014 a little over nine minutes in length\u2014 focuses on an actual  door on the modernist house of a main character (Union) who just went  through a break-up. Friends come through that door to console her, and  with their support, she eventually overcomes her sadness and is able to  move on.<\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/The-Door-1.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-34943\" title=\"The Door 1\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 200'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/The-Door-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/a><\/p>\n<p><strong>&#8220;The Women&#8217;s Tales&#8221;<\/strong> are hardly your straightforward fashion film fodder, as DuVernay explains to <a href=\"https:\/\/www.harpersbazaar.com\/bazaar-blog\/miu-miu-womens-tales-five-the-door-020713?src=soc_twtr\">Harperbazaar.com<\/a>, <strong>&#8220;Every time a woman makes a film it is a political act, in my view, whether we mean it to be or not. Films by women \u2014 whether comedy or drama, documentary or narrative, illustrate the human experience though a woman\u2019s voice, through a woman\u2019s eyes, through a woman\u2019s creativity. Experiences which are often marginalized, fabricated or simply ignored. I think what Miu Miu is doing with this film series is wonderfully radical.&#8221;<\/strong><\/p>\n<p><strong><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/The-Door-3.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-34945\" title=\"The Door 3\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 200'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/The-Door-3-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/a><\/strong>In speaking with <a href=\"https:\/\/nymag.com\/thecut\/2013\/02\/ava-duvernay-on-fear-friendship-and-miu-miu.html\">NYmag.com<\/a>, Duvernay goes on to say more about the short, <strong>&#8220;It\u2019s really a story about friendship among women. I think that women definitely have a special bond as friends that is hard to describe to men, and we don\u2019t often see that portrayed narratively. There is a certain magic and mystery to the friendship of women, and that\u2019s really what I wanted to portray. I think I am a little jealous of women who have great girlfriends as adults.&#8221;<\/strong><\/p>\n<p><strong><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/The-Door-4.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-34946\" title=\"The Door 4\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 200'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/The-Door-4-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/a><\/strong>When asked by <a href=\"https:\/\/www.rollingstone.com\/music\/blogs\/thread-count\/q-a-director-ava-marie-duvernay-on-her-glam-new-video-for-miu-miu-20130208\">RollingStone.com<\/a> how she got involved in the project, DuVernay stated,<strong> &#8220;I have never done anything with fashion, but they were looking for  filmmakers who had a specific point of view. And I must say, I&#8217;m a  little spoiled. The first thing after Sundance was an amazing brand  coming to me telling me, &#8220;Do what you want,&#8221; literally. It was my story,  my idea, my choice of designs. They made designs for me. I used pieces  from a specific collection. They told me if I need extra pieces that  they would make them for me.&#8221;<\/strong><\/p>\n<p><strong><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/The-Door-2.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-34944\" title=\"The Door 2\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 200'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/The-Door-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/a><\/strong>In regards to casting Union and Goapele, the director of &#8216;I Will Follow&#8217; mentioned that<strong> &#8220;The previous films [in the series] featured mostly models or tilted towards models, except <em>It<\/em>&#8216;<em>s Getting Late<\/em> by Massy Tadjedin, and I wanted to push that further and have more of a  narrative around it, more story. So, yeah, I wanted to pile in as many  actresses as I could, and I wanted to do five. I remember Miu Miu  telling me, &#8220;Are you sure you can fit five and tell this whole story in  less than 10 minutes?&#8221; And we were able to do it. Gabrielle has this  face, like. . . you feel smart when you look at her. She has a strength  and intelligence about her beauty. It&#8217;s really captivating to me. <\/strong><\/p>\n<p><strong>I have used Goapele&#8217;s music in my previous films, and she expressed  to me that she was interested in acting. So I thought this was a nice  way to move her into that.&#8221;<\/strong><\/p>\n<p><strong><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/Miu-Miu-logo-1.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload aligncenter size-full wp-image-35062\" title=\"Miu Miu logo 1\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 580 145'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2013\/02\/Miu-Miu-logo-1.jpg\" alt=\"\" width=\"580\" height=\"145\" \/><\/a><br \/>\n<\/strong><\/p>\n<p>In 2011, Miu Miu debuted The Women\u2019s Tales, a series of short films that Miuccia Prada commissioned from international female directors (<strong>Zoe Cassavetes, Lucrecia Martel, Giada Colagrande<\/strong>, and<strong> Massy Tadjedin<\/strong>), each of whom explored various aspects of the feminine experience in their work.<\/p>\n<p>Duvernay is the award-winning director whose film, <strong>&#8216;Middle of Nowhere&#8217;<\/strong> gave\u00a0 her the Best Director Award at the 2012 Sundance Film Festival and the the first African American ever to do so.<\/p>\n<p style=\"text-align: center;\"><strong>Trailer<\/strong><\/p>\n<p><object id=\"flashObj\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"580\" height=\"270\" codebase=\"https:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"bgcolor\" value=\"#FFFFFF\" \/><param name=\"flashVars\" value=\"@videoPlayer=2149726614001&amp;playerID=1910213877001&amp;playerKey=AQ~~,AAAAAF13hy4~,k-0ZIL64dAen6WEVE1qNlAzi67oPWFWa&amp;domain=embed&amp;dynamicStreaming=true\" \/><param name=\"base\" value=\"https:\/\/admin.brightcove.com\" \/><param name=\"seamlesstabbing\" value=\"false\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"swLiveConnect\" value=\"true\" \/><param name=\"allowScriptAccess\" value=\"always\" \/><param name=\"src\" value=\"https:\/\/c.brightcove.com\/services\/viewer\/federated_f9?isVid=1&amp;isUI=1\" \/><param name=\"name\" value=\"flashObj\" \/><param name=\"flashvars\" value=\"@videoPlayer=2149726614001&amp;playerID=1910213877001&amp;playerKey=AQ~~,AAAAAF13hy4~,k-0ZIL64dAen6WEVE1qNlAzi67oPWFWa&amp;domain=embed&amp;dynamicStreaming=true\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed id=\"flashObj\" type=\"application\/x-shockwave-flash\" width=\"580\" height=\"270\" src=\"https:\/\/c.brightcove.com\/services\/viewer\/federated_f9?isVid=1&amp;isUI=1\" name=\"flashObj\" allowscriptaccess=\"always\" swliveconnect=\"true\" allowfullscreen=\"true\" seamlesstabbing=\"false\" base=\"https:\/\/admin.brightcove.com\" flashvars=\"@videoPlayer=2149726614001&amp;playerID=1910213877001&amp;playerKey=AQ~~,AAAAAF13hy4~,k-0ZIL64dAen6WEVE1qNlAzi67oPWFWa&amp;domain=embed&amp;dynamicStreaming=true\" bgcolor=\"#FFFFFF\"><\/embed><\/object><\/p>\n<p style=\"text-align: center;\"><strong>Behind The Scenes<\/strong><\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"580\" height=\"315\" codebase=\"https:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"https:\/\/www.youtube.com\/v\/TzKBi0zU96I?hl=en_US&amp;version=3\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"580\" height=\"315\" src=\"https:\/\/www.youtube.com\/v\/TzKBi0zU96I?hl=en_US&amp;version=3\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p style=\"text-align: center;\"><strong>The Door short film<br \/>\n<\/strong><\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"580\" height=\"315\" codebase=\"https:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"https:\/\/www.youtube.com\/v\/CNM0ha87eU0?hl=en_US&amp;version=3\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"580\" height=\"315\" src=\"https:\/\/www.youtube.com\/v\/CNM0ha87eU0?hl=en_US&amp;version=3\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<div id='gallery-1' class='gallery galleryid-64793 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.blackfilm.com\/read\/first-look-at-ava-duvernay-short-the-door\/the-door-1-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-2-150x150.jpg 150w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-2-192x192.jpg 192w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-2-384x384.jpg 384w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-2-110x110.jpg 110w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-2-220x220.jpg 220w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-2-311x311.jpg 311w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-2-300x300.jpg 300w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-2-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.blackfilm.com\/read\/first-look-at-ava-duvernay-short-the-door\/the-door-1-3\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-3-150x150.jpg 150w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-3-192x192.jpg 192w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-3-384x384.jpg 384w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-3-110x110.jpg 110w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-3-220x220.jpg 220w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-3-311x311.jpg 311w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-3-300x300.jpg 300w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.blackfilm.com\/read\/first-look-at-ava-duvernay-short-the-door\/the-door-1-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-4-150x150.jpg 150w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-4-192x192.jpg 192w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-4-384x384.jpg 384w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-4-110x110.jpg 110w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-4-220x220.jpg 220w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-4-311x311.jpg 311w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-4-300x300.jpg 300w, https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/The-Door-1-4-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<div style=\"margin: 5pt 1em 1em 5pt; float: right;\">\n<p><a type=\"box_count\" name=\"fb_share\">Share<\/a> <script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><a class=\"twitter-share-button\" href=\"https:\/\/twitter.com\/share\">Tweet<\/a><script src=\"https:\/\/platform.twitter.com\/widgets.js\" type=\"text\/javascript\"><\/script><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The short film will premiere digitally on February 11. <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.blackfilm.com\/read\/first-look-at-ava-duvernay-short-the-door\/\">More<\/a><\/p>\n","protected":false},"author":8,"featured_media":65385,"comment_status":"1","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[144,16,143],"tags":[1659,8376,11997,11998,1430,11999,12000,12001,3157,12002,10129,2919,570,12003,925,7013,12004,12005,1669,574,575,2741,5359,12006,577,12007,12008],"reaction":[],"class_list":{"0":"post-64793","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-highlighted","8":"category-news","9":"category-read","10":"tag-adepero-oduye","11":"tag-alfre-woodard","12":"tag-ava-marie-duvernay","13":"tag-culture","14":"tag-emayatzy-corinealdi","15":"tag-fashion","16":"tag-for-love","17":"tag-for-love-song-in-the-door","18":"tag-gabrielle-union","19":"tag-giada-colagrande","20":"tag-goapele","21":"tag-i-will-follow","22":"tag-images","23":"tag-lucrecia-martel","24":"tag-massy-tadjedin","25":"tag-middle-of-nowhere","26":"tag-miu-miu","27":"tag-miuccia-prada","28":"tag-pariah","29":"tag-photos","30":"tag-pics","31":"tag-short-film","32":"tag-song","33":"tag-the-womens-tales","34":"tag-trailer","35":"tag-women","36":"tag-zoe-cassavetes"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v19.7 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Watch Gabrielle Union, Emayatzy Corinealdi, Alfre Woodard, Goapele and Adepero Oduye in Ava DuVernay&#039;s short &#039;The Door&#039; - blackfilm.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.blackfilm.com\/read\/first-look-at-ava-duvernay-short-the-door\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Watch Gabrielle Union, Emayatzy Corinealdi, Alfre Woodard, Goapele and Adepero Oduye in Ava DuVernay&#039;s short &#039;The Door&#039;\" \/>\n<meta property=\"og:description\" content=\"The short film will premiere digitally on February 11. 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