{"id":79292,"date":"2017-04-19T09:16:25","date_gmt":"2017-04-19T09:16:25","guid":{"rendered":"https:\/\/0de2709a84.nxcli.net\/0-kjasnb\/2017\/04\/19\/tribeca-film-festival-2017-preview-live-direct\/"},"modified":"2018-12-18T02:30:13","modified_gmt":"2018-12-18T02:30:13","slug":"tribeca-film-festival-2017-preview-live-direct","status":"publish","type":"post","link":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/","title":{"rendered":"Tribeca Film Festival 2017 Preview: Live and Direct"},"content":{"rendered":"<p><b>Tribeca Film Festival 2017 Preview: Live and Direct<\/b>Posted by Dominga Martin<\/p>\n<p>April 19, 2017<\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/02\/Clive-Davis-The-Soundtrack-of-Our-Lives-1.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-94708\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 169'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/02\/Clive-Davis-The-Soundtrack-of-Our-Lives-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/a><\/p>\n<p><b>TFF lines up a collision of gangster classics, hot topics and music icons for this year\u2019s film festival, and it\u2019s all going down on Facebook Live!<\/b><\/p>\n<p>It\u2019s been 16 years since the launch of the first <strong>Tribeca Film Festival<\/strong>, and this year the festival holds no punches.\u00a0 An exclusive screening line up which includes film classics, politics, fashion icons and music vets will screen throughout lower Manhattan.\u00a0 The festival kicks off with music doc:\u00a0<b>Clive Davis: \u201cThe Soundtrack of our Lives\u201d<\/b>\u2014which screens at the legendary Radio City Music Hall, followed by a concert with Aretha Franklin, Jennifer Hudson, Carly Simon and Earth, Wind and Fire.<\/p>\n<p>As the festival rolls out, each day gears up to be better than the last, and this year Tribeca has included Facebook live screenings, so that film buffs who couldn\u2019t make the festival can feel as if you\u2019re right here in New York City.\u00a0 From April 19 &#8211; 30th, here\u2019s my best picks for you:<\/p>\n<p><b>Thursday, April 20<\/b><\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/04\/Genius-poster.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-97846\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 203 300'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/04\/Genius-poster-203x300.jpg\" alt=\"\" width=\"203\" height=\"300\" \/><\/a><\/p>\n<p><b><i>Genius\u00a0<\/i><\/b>Join the conversation from one of the most highly anticipated upcoming television series,\u00a0<i>Genius<\/i>, about the greatest scientific mind of the 20<sup>th<\/sup>\u00a0century &#8211; Albert Einstein.\u00a0 Director and executive producer\u00a0<b>Ron Howard<\/b>,\u00a0executive producers\u00a0<b>Brian Grazer<\/b>\u00a0and\u00a0Gigi Pritzker,\u00a0showrunner\u00a0Ken Biller,\u00a0and cast members\u00a0Geoffrey Rush, Johnny Flynn, Emily Watson,\u00a0and\u00a0Samantha Colley all join a talk moderated by\u00a0<i>People\u2019s<\/i>\u00a0editor-in-chief, Jess Cagle.\u00a0\u00a0<b>LIVE TALK 7PM<\/b><\/p>\n<p><b>Bowling for Columbine,<\/b>\u00a0directed by Michael Moore. (USA). In 2002, Michael Moore explored the roots of America\u2019s relationships with guns and the firearms industry following the devastating mass shooting at Columbine High School. The film went on to win the Academy Award for Best Documentary. In the current moment of frequent mass shootings and ongoing legislative battles, 15 years after the film\u2019s release, Moore\u2019s confrontational documentary remains relevant as ever.<\/p>\n<p><b>After the Movie:\u00a0<\/b>On the 15<sup>th<\/sup>\u00a0anniversary of the documentary, and on the exact day of the massacre 18 years ago, a conversation with director\u00a0<b>Michael Moore<\/b>\u00a0and others on the timeliness of the film today.\u00a0\u00a0<b>LIVE TALK 9PM<\/b><\/p>\n<p><b>Friday, April 21\u00a0<\/b><\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/04\/LA-92-Poster.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-97238\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 203 300'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/04\/LA-92-Poster-203x300.jpg\" alt=\"\" width=\"203\" height=\"300\" \/><\/a><\/p>\n<p><b>LA92:\u00a0<\/b>\u00a0Few images are seared into the American consciousness like the beating of Rodney King at the hands of four white Los Angeles police officers and the riots after the officers\u2019 acquittal in the spring of 1992. The unrest, sparked by a verdict many viewed as yet another example of judicial indifference to law enforcement\u2019s harassment of Los Angeles\u2019s African American population, lasted for six days. The widespread looting, arson, and assaults were all captured by TV news and broadcast to a shocked nation. By the time the violence was quelled, more than fifty people had lost their lives and over $1 billion dollars in damage had been done to South Central Los Angeles and the surrounding neighborhoods.<\/p>\n<p>Twenty-five years after the verdict, Academy Award\u00ae-winning directors Dan Lindsay and TJ Martin (Undefeated) draw on archival news images and unseen footage to craft an in-depth portrait of those riots and the tempestuous relationship between Los Angeles\u2019s African American community and those charged with protecting it.\u00a0\u00a0<b>A Conversation with Directors after the screening.<\/b><\/p>\n<p><b>Saturday, April 22<\/b><\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/04\/House-of-Z.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-97847\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 169'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/04\/House-of-Z-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/a><\/p>\n<p><b>House of Z<\/b>, directed by Sandy Chronopoulos, written by Sandy Chronopoulos, Sherien Barsoum. (USA) &#8211; World Premiere, Documentary. Zac Posen rocketed to fashion stardom at a young age with his unique design aesthetic and charismatic presence, becoming one the most recognizable faces in the business today. But like any journey to great success it hasn&#8217;t come without cost. Sandy Chronopoulos\u2019 film looks past the glamor of the red carpet and the runway to shine a light on the trials and tribulations of running one of the country\u2019s most successful fashion houses. With Naomi Campbell, Sean Diddy Combs aka Puff Daddy, Andr\u00e9 Leon Talley, Paz de la Huerta.<\/p>\n<p><b>After the movie:\u00a0<\/b>A conversation with director\u00a0<b>Sandy Chronopoulos<\/b>\u00a0and the film\u2019s subject\u00a0<b>Zac Posen, along with fashion icon Andr\u00e9 Leon Talley<\/b>. \u00a0\u00a0<b>LIVE TALK: 9:30 pm<\/b><\/p>\n<p><b>Sunday, April 23<\/b><\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/04\/Copwatch-Tribeca-2017.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-97723\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 205'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/04\/Copwatch-Tribeca-2017-300x205.jpg\" alt=\"\" width=\"300\" height=\"205\" \/><\/a><\/p>\n<p><b><i>Copwatch<\/i><\/b><i>\u00a0<\/i>(World Premiere Documentary Competition Q&amp;A with Director Camilla Hall)<\/p>\n<p><i>Copwatch<\/i>\u00a0is the true story of We Copwatch, an organization that films police activity as a non-violent form of protest and deterrent to police brutality.\u00a0 In her feature film debut, director Camilla Hall crafts an intriguing and timely profile of citizen-journalist-activists- including Ramsey Orta who filmed Eric Garner\u2019s fatal arrest- who seek to disrupt the ever-present challenge of police violence.\u00a0\u00a0<b>LIVE TALK 3:35<\/b><\/p>\n<p><b>Wednesday, April 26th<\/b><\/p>\n<p><b>Whitney: Can I be Me?<\/b><\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2012\/02\/Whitney-Houston1.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-19226\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 224'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2012\/02\/Whitney-Houston1-300x224.jpg\" alt=\"\" width=\"300\" height=\"224\" \/><\/a><\/p>\n<p>Whitney Houston was a sure thing, or as sure as the music industry had ever seen. A transcendent talent with pedigree and mentorship to match, she was going to be the greatest female vocalist ever. For a time, she was, and then she all-too-publicly fell short.<\/p>\n<p>Documentarian Nick Broomfield and iconic music video director Rudi Dolezal offer a never-before-seen backstage look at the height of Houston\u2019s stardom and trace with penetrating detail the forces that contributed to her shortened career and subsequent death in 2012, at age 48. Whether it be racism, religion, drugs, sexuality, self-doubt, gossip, rivalry, insufficient training, the demands of parents and the industry, a troubled marriage playing out in headlines, or the inevitable toll those stresses take from so muscular and passionate a singer, the directors leave nothing unturned. They create a picture of a remarkable woman who needed more help than she received and provide an unflinching, gripping, and wholly committed exploration of talent given and taken away, in an era obsessed with how that talent lives when the stage lights go down.<\/p>\n<p><b>Thursday, April 27<\/b><\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/04\/Cant-Stop-Wont-Stop-Bad-Boy-Tribeca-2017.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-97730\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 158'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2017\/04\/Cant-Stop-Wont-Stop-Bad-Boy-Tribeca-2017-300x158.jpg\" alt=\"\" width=\"300\" height=\"158\" \/><\/a><\/p>\n<p><b>Can\u2019t Stop, Won\u2019t Stop: The Bad Boy Story, directed by Daniel Kaufman.<\/b>\u00a0(USA) &#8211; World Premiere, Documentary.\u00a0\u00a0A raw and exclusive look behind the scenes at the history and legacy of Bad Boy through a complex portrait of the label\u2019s mastermind, Sean \u201cDiddy\u201d Combs aka Puff Daddy, as he tries to reunite his Bad Boy Family in the course of a frantic three-week rehearsal period. This Live Nation Productions documentary finds him reuniting with the biggest names from Bad Boy\u2019s history for a wildly successful pair of concerts at Brooklyn\u2019s Barclay Center. With Notorious B.I.G., Ma$e, Lil&#8217; Kim, Faith Evans, Total.\u00a0\u00a0<b>Beacon Theater: Bad Boy Concert to Follow Screening.<\/b><\/p>\n<p><b>Dare to be Different<\/b>, directed by Ellen Goldfarb, written by Jay Reiss. (USA) &#8211; World Premiere, Documentary. Featuring interviews and rare footage of U2, Blondie, Duran Duran, Joan Jett, The Cure, Billy Idol, and Depeche Mode,\u00a0<i>Dare to Be Different<\/i>\u00a0is a nostalgic look at WLIR 92.7, the radio station that introduced these bands to a US audience. Director Ellen Goldfarb tells the story of the rise and fall of this institution, and the birth of the punk and new wave communities. With Joan Jett, Debbie Harry, Billy Idol, and others.<\/p>\n<p><b>After the movie:\u00a0<\/b>A live music tribute to WLIR from\u00a0<b>A Flock of Seagulls<\/b>,\u00a0<b>The English Beat<\/b>, and\u00a0<b>The Alarm<\/b>.<\/p>\n<p><b>Friday, April 28<\/b><\/p>\n<p><b>Reservoir Dogs,<\/b>\u00a0directed and written by Quentin Tarantino. (USA). They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush and the ruthless killers realize one of them is a police informant. But which one? Twenty-five years ago, auteur filmmaker Quentin Tarantino reinvigorated cinema with his singular voice in his canonical feature\u00a0<i>Reservoir Dogs<\/i>. He has generously provided a 35mm print from his archive for this special 25th anniversary screening. With Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn, Steve Buscemi, Lawrence Tierney, Edward Bunker, Quentin Tarantino.<\/p>\n<p><b>After the Movie:<\/b>\u00a0A 25<sup>th<\/sup>\u00a0anniversary conversation with director\u00a0<b>Quentin Tarantino\u00a0<\/b>and cast from the film.<\/p>\n<p><b>Saturday, April 29: CLOSING NIGHT<\/b><\/p>\n<p><b>The 45<\/b><b><sup>th<\/sup><\/b><b>\u00a0anniversary of The Godfather screening followed by The Godfather Part II and conversation<\/b><\/p>\n<p><b>The Godfather &amp; The Godfather: Part II, directed by Francis Ford Coppola, written by Mario Puzo and Francis Ford Coppola. (USA).\u00a0<\/b>Arguably two of the best films ever made, and winners of nine Academy Awards between them, Coppola\u2019s epic masterpieces paint a chilling, multigenerational portrait of the Corleone crime family&#8217;s rise and near fall from power in America. Tribeca celebrates the legacy of one of the most influential film sagas of all time with this anniversary screening and reunion event. Part I:\u00a0 With Marlon Brando, James Caan, Robert Duvall, Diane Keaton, Al Pacino, Talia Shire, John Cazale, Abe Vigoda. In English, Italian, Latin with subtitles.\u00a0 Part II:\u00a0 With Al Pacino, Robert Duvall, Robert De Niro, Diane Keaton, Talia Shire, William Bowers, James Caan, John Cazale, Giuseppe Sillato, Lee Strasberg. In English, Italian, Latin, Sicilian, Spanish with subtitles.<\/p>\n<p><b>After the Movie:\u00a0<\/b>A conversation with Francis Ford Coppola, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Talia Shire, and Robert De Niro.\u00a0<b>LIVE TALK: 8:10 pm<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tribeca Film Festival 2017 Preview: Live and DirectPosted by Dominga Martin April 19, 2017 TFF lines up a collision of gangster classics, hot topics and music icons for this year\u2019s film festival, and it\u2019s all going down on Facebook Live! It\u2019s been 16 years since the launch of the first Tribeca Film Festival, and this [&hellip;] <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/\">More<\/a><\/p>\n","protected":false},"author":8,"featured_media":79457,"comment_status":"1","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,143],"tags":[],"reaction":[],"class_list":{"0":"post-79292","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news","8":"category-read"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v19.7 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Tribeca Film Festival 2017 Preview: Live and Direct - blackfilm.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tribeca Film Festival 2017 Preview: Live and Direct\" \/>\n<meta property=\"og:description\" content=\"Tribeca Film Festival 2017 Preview: Live and DirectPosted by Dominga Martin April 19, 2017 TFF lines up a collision of gangster classics, hot topics and music icons for this year\u2019s film festival, and it\u2019s all going down on Facebook Live! It\u2019s been 16 years since the launch of the first Tribeca Film Festival, and this [&hellip;] More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/\" \/>\n<meta property=\"og:site_name\" content=\"blackfilm.com\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/blackfilm\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/blackfilm\" \/>\n<meta property=\"article:published_time\" content=\"2017-04-19T09:16:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-12-18T02:30:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Genius-poster-3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"675\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Guest Writer\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:site\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Guest Writer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/\"},\"author\":{\"name\":\"Guest Writer\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/person\\\/031e5b3b0b6f6a7121aa3561bc66edb9\"},\"headline\":\"Tribeca Film Festival 2017 Preview: Live and Direct\",\"datePublished\":\"2017-04-19T09:16:25+00:00\",\"dateModified\":\"2018-12-18T02:30:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/\"},\"wordCount\":1464,\"publisher\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/Genius-poster-3.jpg\",\"articleSection\":[\"News\",\"Read\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/\",\"name\":\"Tribeca Film Festival 2017 Preview: Live and Direct - blackfilm.com\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/Genius-poster-3.jpg\",\"datePublished\":\"2017-04-19T09:16:25+00:00\",\"dateModified\":\"2018-12-18T02:30:13+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/Genius-poster-3.jpg\",\"contentUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/Genius-poster-3.jpg\",\"width\":675,\"height\":1000},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-film-festival-2017-preview-live-direct\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tribeca Film Festival 2017 Preview: Live and Direct\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#website\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\",\"name\":\"blackfilm.com\\\/read\",\"description\":\"Movie, Television, and Theatre News\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\"},\"alternateName\":\"blackfilm.com\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\",\"name\":\"blackfilm.com\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/B-Stamp-White-Blue-with-Logo-scaled.png\",\"contentUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/B-Stamp-White-Blue-with-Logo-scaled.png\",\"width\":2560,\"height\":612,\"caption\":\"blackfilm.com\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/blackfilm\",\"https:\\\/\\\/x.com\\\/blackfilm\",\"https:\\\/\\\/www.instagram.com\\\/blackfilm\\\/\",\"https:\\\/\\\/www.youtube.com\\\/blackfilm\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/person\\\/031e5b3b0b6f6a7121aa3561bc66edb9\",\"name\":\"Guest Writer\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g\",\"caption\":\"Guest Writer\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/blackfilm\",\"https:\\\/\\\/x.com\\\/blackfilm\"],\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/author\\\/wilsonmorales\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Tribeca Film Festival 2017 Preview: Live and Direct - blackfilm.com","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/","og_locale":"en_US","og_type":"article","og_title":"Tribeca Film Festival 2017 Preview: Live and Direct","og_description":"Tribeca Film Festival 2017 Preview: Live and DirectPosted by Dominga Martin April 19, 2017 TFF lines up a collision of gangster classics, hot topics and music icons for this year\u2019s film festival, and it\u2019s all going down on Facebook Live! It\u2019s been 16 years since the launch of the first Tribeca Film Festival, and this [&hellip;] More","og_url":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/","og_site_name":"blackfilm.com","article_publisher":"https:\/\/www.facebook.com\/blackfilm","article_author":"https:\/\/www.facebook.com\/blackfilm","article_published_time":"2017-04-19T09:16:25+00:00","article_modified_time":"2018-12-18T02:30:13+00:00","og_image":[{"width":675,"height":1000,"url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Genius-poster-3.jpg","type":"image\/jpeg"}],"author":"Guest Writer","twitter_card":"summary_large_image","twitter_creator":"@blackfilm","twitter_site":"@blackfilm","twitter_misc":{"Written by":"Guest Writer","Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/#article","isPartOf":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/"},"author":{"name":"Guest Writer","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/person\/031e5b3b0b6f6a7121aa3561bc66edb9"},"headline":"Tribeca Film Festival 2017 Preview: Live and Direct","datePublished":"2017-04-19T09:16:25+00:00","dateModified":"2018-12-18T02:30:13+00:00","mainEntityOfPage":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/"},"wordCount":1464,"publisher":{"@id":"https:\/\/www.blackfilm.com\/read\/#organization"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/#primaryimage"},"thumbnailUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Genius-poster-3.jpg","articleSection":["News","Read"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/","url":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/","name":"Tribeca Film Festival 2017 Preview: Live and Direct - blackfilm.com","isPartOf":{"@id":"https:\/\/www.blackfilm.com\/read\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/#primaryimage"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/#primaryimage"},"thumbnailUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Genius-poster-3.jpg","datePublished":"2017-04-19T09:16:25+00:00","dateModified":"2018-12-18T02:30:13+00:00","breadcrumb":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/#primaryimage","url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Genius-poster-3.jpg","contentUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Genius-poster-3.jpg","width":675,"height":1000},{"@type":"BreadcrumbList","@id":"https:\/\/www.blackfilm.com\/read\/tribeca-film-festival-2017-preview-live-direct\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.blackfilm.com\/read\/"},{"@type":"ListItem","position":2,"name":"Tribeca Film Festival 2017 Preview: Live and Direct"}]},{"@type":"WebSite","@id":"https:\/\/www.blackfilm.com\/read\/#website","url":"https:\/\/www.blackfilm.com\/read\/","name":"blackfilm.com\/read","description":"Movie, Television, and Theatre News","publisher":{"@id":"https:\/\/www.blackfilm.com\/read\/#organization"},"alternateName":"blackfilm.com","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.blackfilm.com\/read\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.blackfilm.com\/read\/#organization","name":"blackfilm.com","url":"https:\/\/www.blackfilm.com\/read\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/logo\/image\/","url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/04\/B-Stamp-White-Blue-with-Logo-scaled.png","contentUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/04\/B-Stamp-White-Blue-with-Logo-scaled.png","width":2560,"height":612,"caption":"blackfilm.com"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/blackfilm","https:\/\/x.com\/blackfilm","https:\/\/www.instagram.com\/blackfilm\/","https:\/\/www.youtube.com\/blackfilm"]},{"@type":"Person","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/person\/031e5b3b0b6f6a7121aa3561bc66edb9","name":"Guest Writer","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g","caption":"Guest Writer"},"sameAs":["https:\/\/www.facebook.com\/blackfilm","https:\/\/x.com\/blackfilm"],"url":"https:\/\/www.blackfilm.com\/read\/author\/wilsonmorales\/"}]}},"_links":{"self":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/79292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/comments?post=79292"}],"version-history":[{"count":1,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/79292\/revisions"}],"predecessor-version":[{"id":119655,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/79292\/revisions\/119655"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/media\/79457"}],"wp:attachment":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/media?parent=79292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/categories?post=79292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/tags?post=79292"},{"taxonomy":"reaction","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/reaction?post=79292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}