{"id":83033,"date":"2018-04-23T10:40:44","date_gmt":"2018-04-23T10:40:44","guid":{"rendered":"https:\/\/0de2709a84.nxcli.net\/0-kjasnb\/2018\/04\/23\/tribeca-2018-review-egg\/"},"modified":"2018-12-18T01:48:33","modified_gmt":"2018-12-18T01:48:33","slug":"tribeca-2018-review-egg","status":"publish","type":"post","link":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/","title":{"rendered":"Tribeca 2018 Review: Egg"},"content":{"rendered":"<p><strong>Tribeca 2018 Review: Egg<\/strong>By Dominga Martin<\/p>\n<p>April 23, 2018<\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/04\/Egg-1.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-109640\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 168'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/04\/Egg-1-300x168.jpg\" alt=\"\" width=\"300\" height=\"168\" \/><\/a><\/p>\n<p>Provocative dramedy makes debut at the 2018 Tribeca Film Festival taking the audience into a dinner party where guests do everything but walk on eggshells.\u00a0Director <strong>Marianna Palka<\/strong> (Good Dick, Bitch) helmed the story which takes place over the stretch of a day in Brooklyn.<\/p>\n<p><strong>Egg<\/strong>. A film of two conflicting ideas about motherhood, stars <strong>Christina Hendricks<\/strong>\u00a0as Karen and her husband Don, portrayed by <strong>David Alan Basche<\/strong>; alongside <strong>Alysia Reiner<\/strong> (Tina) and <strong>Gbenga Akinnage<\/strong> (Wayne). The two couples stand on opposite sides of the spectrum when it comes to everything from political views, to status and womanhood causing an unlikely dinner conversation which takes audiences on a head trip, controlled by Tina.<\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/04\/Egg-cast-Christina-Hendricks-Gbenga-Akinnagbe-Alysia-Reiner-and-David-Alan-Basche.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-109641\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 234'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/04\/Egg-cast-Christina-Hendricks-Gbenga-Akinnagbe-Alysia-Reiner-and-David-Alan-Basche-300x234.jpg\" alt=\"\" width=\"300\" height=\"234\" \/><\/a><\/p>\n<p>Watching this film felt a lot like #whitegirltears, a hash tag which erupted on black twitter to define how some white women use their tears to overstep boundaries and get away with microaggression. As a black woman watching this film, I could not relate culturally, however the stance on womanhood highlighted a few great debates on patriarchy and a woman&#8217;s right to choose. This film felt like it was written through the perspective of a gentrified lens. The insensitivities to Wayne and Tina\u2019s Brooklyn neighborhood were frowned upon by their dinner guests Don and Karen, who are said to be liberals, yet seemed pretentious as it related to this interracial + bi-cultural couple \u2014 their job path, their home, their neighborhood and their way of life. The racial undertones in the film made me cringe. I did not understand how a caucasian woman (Tina) married to an African man (Wayne) could not have ever tried his Ethiopian food. There were moments in the film that felt insulting and condescending. As the film plays on it felt more like actors working out scenes at a play rehearsal.<\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/04\/Egg-Alysia-Reiner-and-Gbenga-Akinnagbe.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignleft size-medium wp-image-109642\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 207 300'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/04\/Egg-Alysia-Reiner-and-Gbenga-Akinnagbe-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" \/><\/a><\/p>\n<p>The film opens up with Chapter 1: (Tina), focusing on Tina and Wayne\u2019s relationship, which seems loving at first, yet as the film unravels we get the impression that Wayne is in an unsupportive space, with a self-centered wife, who is detached from the concept of motherhood and his needs, due to her feminist thoughts on patriarchy \u2014 and the idea that a woman should have the right to chose what happens with her body. The tensions in the room rise once their guests Don and Karen arrive.<\/p>\n<p>While Karen and Tina met in art school, which seem to have been their only bond \u2014 they have grown worlds apart and into the definitive women they choose to be. By chapter 2: (Tina &amp; Karen), the viewer can definitely use some head space, yet we find ourselves cornered in a room in the attic where Tina\u2019s unapologetic approach feels a bit combative, and both women confront hidden secrets.<\/p>\n<p><a href=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/04\/Egg-Christina-Hendricks.jpg\"><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload alignright size-medium wp-image-109643\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 272 300'%2F%3E\" data-src=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/04\/Egg-Christina-Hendricks-272x300.jpg\" alt=\"\" width=\"272\" height=\"300\" \/><\/a><\/p>\n<p>Meanwhile Don and Wayne retreat to their version of a man-cave moment, which was a welcoming departure from the only setting \u2014 the living room. Upon their return, the final chapter begins: (Tina &amp; Karen &amp; Kiki), introducing the audience to Tina and Wayne\u2019s surrogate \u201cKiki\u201d (Anna Camp) \u2014 who immediately becomes the envy of both women, although a bobble head. Yet, the character is a breath of fresh air \u2014 breaking up the monotony of the biting sarcasm and digs thrown throughout the film.<\/p>\n<p>Hendricks (Mad Men, Good Girls) was a darling to watch as she unraveled and danced back and fourth between sensitivity and strength. The range of colors in her performance were wonderful to witness. We have seen Akinnagbe in roles over the years as an assassin (The Wire) or Secret Service agent (24, Independence Day Resurrection), so this character was a refreshing departure from the usual dark or mentally challenged roles (Knucklehead, Home) he\u2019s played over the years.<\/p>\n<p>Needless to say, this is a dinner party that no one walks away from, feeling welcomed, yet relieved when this conversation and night is over. While first time screenwriter Lisa Mickenberg wrote this film while sorting out her views on pregnancy, it feels a bit \u201ctalky\u201d and would possibly be better suited for stage.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tribeca 2018 Review: EggBy Dominga Martin April 23, 2018 Provocative dramedy makes debut at the 2018 Tribeca Film Festival taking the audience into a dinner party where guests do everything but walk on eggshells.\u00a0Director Marianna Palka (Good Dick, Bitch) helmed the story which takes place over the stretch of a day in Brooklyn. Egg. A [&hellip;] <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/\">More<\/a><\/p>\n","protected":false},"author":8,"featured_media":83099,"comment_status":"1","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[143,17],"tags":[15786,9374,430,26564,26565,1101,2318,26566,3668],"reaction":[],"class_list":{"0":"post-83033","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-read","8":"category-reviews","9":"tag-alysia-reiner","10":"tag-anna-camp","11":"tag-christina-hendricks","12":"tag-david-alan-basche","13":"tag-egg","14":"tag-film-review","15":"tag-gbenga-akinnagbe","16":"tag-marianna-palka","17":"tag-tribeca-film-festival"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v19.7 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Tribeca 2018 Review: Egg - blackfilm.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tribeca 2018 Review: Egg\" \/>\n<meta property=\"og:description\" content=\"Tribeca 2018 Review: EggBy Dominga Martin April 23, 2018 Provocative dramedy makes debut at the 2018 Tribeca Film Festival taking the audience into a dinner party where guests do everything but walk on eggshells.\u00a0Director Marianna Palka (Good Dick, Bitch) helmed the story which takes place over the stretch of a day in Brooklyn. Egg. A [&hellip;] More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/\" \/>\n<meta property=\"og:site_name\" content=\"blackfilm.com\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/blackfilm\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/blackfilm\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-23T10:40:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-12-18T01:48:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Egg-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1482\" \/>\n\t<meta property=\"og:image:height\" content=\"831\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Guest Writer\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:site\" content=\"@blackfilm\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Guest Writer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/\"},\"author\":{\"name\":\"Guest Writer\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/person\\\/031e5b3b0b6f6a7121aa3561bc66edb9\"},\"headline\":\"Tribeca 2018 Review: Egg\",\"datePublished\":\"2018-04-23T10:40:44+00:00\",\"dateModified\":\"2018-12-18T01:48:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/\"},\"wordCount\":677,\"publisher\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/Egg-1.jpg\",\"keywords\":[\"Alysia Reiner\",\"Anna Camp\",\"Christina Hendricks\",\"David Alan Basche\",\"Egg\",\"film review\",\"Gbenga Akinnagbe\",\"Marianna Palka\",\"Tribeca Film Festival\"],\"articleSection\":[\"Read\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/\",\"name\":\"Tribeca 2018 Review: Egg - blackfilm.com\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/Egg-1.jpg\",\"datePublished\":\"2018-04-23T10:40:44+00:00\",\"dateModified\":\"2018-12-18T01:48:33+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/Egg-1.jpg\",\"contentUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/Egg-1.jpg\",\"width\":1482,\"height\":831},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/tribeca-2018-review-egg\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tribeca 2018 Review: Egg\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#website\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\",\"name\":\"blackfilm.com\\\/read\",\"description\":\"Movie, Television, and Theatre News\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\"},\"alternateName\":\"blackfilm.com\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#organization\",\"name\":\"blackfilm.com\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/B-Stamp-White-Blue-with-Logo-scaled.png\",\"contentUrl\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/B-Stamp-White-Blue-with-Logo-scaled.png\",\"width\":2560,\"height\":612,\"caption\":\"blackfilm.com\"},\"image\":{\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/blackfilm\",\"https:\\\/\\\/x.com\\\/blackfilm\",\"https:\\\/\\\/www.instagram.com\\\/blackfilm\\\/\",\"https:\\\/\\\/www.youtube.com\\\/blackfilm\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/#\\\/schema\\\/person\\\/031e5b3b0b6f6a7121aa3561bc66edb9\",\"name\":\"Guest Writer\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g\",\"caption\":\"Guest Writer\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/blackfilm\",\"https:\\\/\\\/x.com\\\/blackfilm\"],\"url\":\"https:\\\/\\\/www.blackfilm.com\\\/read\\\/author\\\/wilsonmorales\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Tribeca 2018 Review: Egg - blackfilm.com","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/","og_locale":"en_US","og_type":"article","og_title":"Tribeca 2018 Review: Egg","og_description":"Tribeca 2018 Review: EggBy Dominga Martin April 23, 2018 Provocative dramedy makes debut at the 2018 Tribeca Film Festival taking the audience into a dinner party where guests do everything but walk on eggshells.\u00a0Director Marianna Palka (Good Dick, Bitch) helmed the story which takes place over the stretch of a day in Brooklyn. Egg. A [&hellip;] More","og_url":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/","og_site_name":"blackfilm.com","article_publisher":"https:\/\/www.facebook.com\/blackfilm","article_author":"https:\/\/www.facebook.com\/blackfilm","article_published_time":"2018-04-23T10:40:44+00:00","article_modified_time":"2018-12-18T01:48:33+00:00","og_image":[{"width":1482,"height":831,"url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Egg-1.jpg","type":"image\/jpeg"}],"author":"Guest Writer","twitter_card":"summary_large_image","twitter_creator":"@blackfilm","twitter_site":"@blackfilm","twitter_misc":{"Written by":"Guest Writer","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/#article","isPartOf":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/"},"author":{"name":"Guest Writer","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/person\/031e5b3b0b6f6a7121aa3561bc66edb9"},"headline":"Tribeca 2018 Review: Egg","datePublished":"2018-04-23T10:40:44+00:00","dateModified":"2018-12-18T01:48:33+00:00","mainEntityOfPage":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/"},"wordCount":677,"publisher":{"@id":"https:\/\/www.blackfilm.com\/read\/#organization"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/#primaryimage"},"thumbnailUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Egg-1.jpg","keywords":["Alysia Reiner","Anna Camp","Christina Hendricks","David Alan Basche","Egg","film review","Gbenga Akinnagbe","Marianna Palka","Tribeca Film Festival"],"articleSection":["Read","Reviews"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/","url":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/","name":"Tribeca 2018 Review: Egg - blackfilm.com","isPartOf":{"@id":"https:\/\/www.blackfilm.com\/read\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/#primaryimage"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/#primaryimage"},"thumbnailUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Egg-1.jpg","datePublished":"2018-04-23T10:40:44+00:00","dateModified":"2018-12-18T01:48:33+00:00","breadcrumb":{"@id":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/#primaryimage","url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Egg-1.jpg","contentUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2018\/12\/Egg-1.jpg","width":1482,"height":831},{"@type":"BreadcrumbList","@id":"https:\/\/www.blackfilm.com\/read\/tribeca-2018-review-egg\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.blackfilm.com\/read\/"},{"@type":"ListItem","position":2,"name":"Tribeca 2018 Review: Egg"}]},{"@type":"WebSite","@id":"https:\/\/www.blackfilm.com\/read\/#website","url":"https:\/\/www.blackfilm.com\/read\/","name":"blackfilm.com\/read","description":"Movie, Television, and Theatre News","publisher":{"@id":"https:\/\/www.blackfilm.com\/read\/#organization"},"alternateName":"blackfilm.com","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.blackfilm.com\/read\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.blackfilm.com\/read\/#organization","name":"blackfilm.com","url":"https:\/\/www.blackfilm.com\/read\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/logo\/image\/","url":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/04\/B-Stamp-White-Blue-with-Logo-scaled.png","contentUrl":"https:\/\/www.blackfilm.com\/read\/wp-content\/uploads\/2026\/04\/B-Stamp-White-Blue-with-Logo-scaled.png","width":2560,"height":612,"caption":"blackfilm.com"},"image":{"@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/blackfilm","https:\/\/x.com\/blackfilm","https:\/\/www.instagram.com\/blackfilm\/","https:\/\/www.youtube.com\/blackfilm"]},{"@type":"Person","@id":"https:\/\/www.blackfilm.com\/read\/#\/schema\/person\/031e5b3b0b6f6a7121aa3561bc66edb9","name":"Guest Writer","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/eea14902d5e6b8d13b26496d4b3233a60b5fb7d8404892174210320225f66a73?s=96&d=mm&r=g","caption":"Guest Writer"},"sameAs":["https:\/\/www.facebook.com\/blackfilm","https:\/\/x.com\/blackfilm"],"url":"https:\/\/www.blackfilm.com\/read\/author\/wilsonmorales\/"}]}},"_links":{"self":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/83033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/comments?post=83033"}],"version-history":[{"count":1,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/83033\/revisions"}],"predecessor-version":[{"id":118147,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/posts\/83033\/revisions\/118147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/media\/83099"}],"wp:attachment":[{"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/media?parent=83033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/categories?post=83033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/tags?post=83033"},{"taxonomy":"reaction","embeddable":true,"href":"https:\/\/www.blackfilm.com\/read\/wp-json\/wp\/v2\/reaction?post=83033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}